: Given Joan of Arc and Loki on the stage, your setting is modern-day magical, you have a 600+ year old woman and a God. The reader will consider it a rip-off, a bait-and-switch if you don't

Given Joan of Arc and Loki on the stage, your setting is modern-day magical, you have a 600+ year old woman and a God. The reader will consider it a rip-off, a bait-and-switch if you don't reveal the magical nature of this world early in the first act. It will NOT be "entertaining", it will look like a deus ex machina if you don't show the magic early. It doesn't have to be with these particular characters, but it is an inevitable clue you have to reveal.
Misdirection.
That said, a good way of diverting suspicion is to embrace the similarities: The girl pretends to be an avid fan of history in general and Joan of Arc in particular, referring to her as a tragic hero, unfairly treated, horrifically killed, etc. Find a few other female heroes she admires. She thinks women are underrated in history (they definitely are!), and it is unfortunate the only reason Joan is remembered is because she did a man's job in battle.
It becomes difficult for the protagonist to prove she is Joan of Arc, when her "hobby" gives her an excuse to know everything he can possibly know about Joan of Arc. Including perhaps an ability to read medieval French that he doesn't have.
As for Loki, he can hide in plain sight, too. Take a clue from the canceled series Lucifer: The actual devil is on Earth as a self-indulgent, rich night club owner, a womanizer, a deal maker, consorting with loose women, drug users, gangsters and criminals. Exactly where you'd expect the devil to be, but he appears human.
Find a similar modern environment where you think Loki would feel at home: He's a trickster, maybe a stage magician, a card shark, a con man, or an actor, or even an author renowned for his clever riddles and plot twists. A wealthy author has a ready made excuse to be anywhere he wants: Researching a new novel he will not discuss, lest he ruin the surprise.

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