: Eliminating the Dash in Prose Writing I have been accused — shock, horror — of using the dash (the one that indicates a three-quarters pause) too much in my fiction. Thing is — I quite

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I am revisiting my em-dashes.

Here's the thing. You aren't supposed to use too many semicolons either, and you are supposed to have varying sentence length, and watch your commas, and and and ...

I don't see how to write a nice long sentence (the average in the 1800s was something like 50-word sentences; closer to 30 in the early 1900s, etc etc) without these devices (commas, colons, semicolons, m-dashes.). My average sentence length is 10. I have no idea how one would get it to even 15 given the short dialog sentences that balance out the narrative.

Colons are right out. Search it here on SE. Can't use them. Exclamation points? No sir. One per manuscript (Okay, perhaps that's extreme, but it has been suggested by some, truly, one in a manuscript and that is IT.). Question marks? Slightly more tolerable but no inane conversation ... and guess what, this translates to a reduction in question marks.

Compound sentences? Tread with care. Use too many and it becomes repetitive.

Commas? Play this game long enough and people will accuse you of (shudder) abusing commas.

Truly the only good answer is that all of it is absolutely fine. (well, not the colon, I mean come on.) Balance. Balance it. Same with adverbs. Balance them. Balance all of it. You have so many tools. Use each and every one. That's the answer.

Including the m-dash.

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I feel you, friend. I tend to overuse the dash just as you do.

The dash – much like other punctuation – will be used to try and influence the way a sentence is spoken. You might have a certain rhythm in mind when writing a sentence and want to enforce that by using a dash – especially to divide sentences into different sections.

In my opinion, that's where the problem is: people reading your sentence might want to read and structure it differently and might be put off by your trying to influence their reading habits.

That being said, I still use it abundantly in my writing – being aware of the problem but seeing it as a matter of personal style. And if you really want to get rid of the dashes, just use commas or semicolons instead!

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I disagree with the premise -- Mostly I disagree. I think this is a matter of opinion.

I think like the use of a pet word, using the dash can be overdone, but the error is in using it to the point of irritation for the reader. Dashes and ellipsis indicate pauses for dramatic effect; or with a character thinking, a self-interruption to modify or amend something just said. This latter, from the narrator, is seldom appropriate. Skip the original utterance and rewrite completely. Except in first person present tense, the narrator should never be thinking.

For dramatic pause, I find it fine, but I think doing it too frequently is grating.

That said, in dialogue they do have their place; dialogue is written as if the character is speaking in real time, self-interruption or pause for dramatic effect -- or dare I say interjection? -- are the kinds of speech timing marks people really use. Much like commas, periods, question marks and exclamation points are marks indicating timing or tonal qualities of the speech. The character's mind is active and producing multiple thoughts at once. Indicating that state of mind can help the reader understand the mental state of the character.

For the narrator, for interjections, I would not use dashes to indicate that, I'd set it off with a pair of commas.

Or for the narrator (for interjections) I would use parenthesis.

But in speech -- especially halting or uncertain speech -- dashes are the way to go ... unless the sentence trails off or the pause is quite long. Then I would use an ellipsis.

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The answer is quite subjective because the "em dashes" sometimes work really well in a sentence while sometimes they are just disruptive to the flow of the thing you attempt to say.

The key part is trying not to overuse the effects you try to create. A reader will quickly be bored by the predictability of such effect.

I have been accused — shock, horror, of using the dash too much in my
fiction (the one that indicates a three-quarters pause).

I quite like the use of the "em dash" here because it appeals to an emotion. Nobody likes being accused and people related with these emotions well.

Rewriting this would turn it into:

I was shocked, horrified, to know I was being accused of using the "em
dash" too much in my fiction.

Mind that this is just one way of saying the same thing, however this time we are saying the same thing about how we feel about this accusation without stopping the flow of the reader.

Thing is — I quite like the effect it has on my writing and I'm rather
reluctant to part with it unless I'm given an excellent alternative.

This second example bothers me a lot. You haven't even started the sentence yet. No information, action or feeling give and you already interrupt the reader.
Instead I would go with a much less disruptive way or saying the same thing.

However, I quite like the effect it has on my writing and I'm rather
reluctant to part with it unless I'm given an excellent alternative.

After the rewrite the sentence flows more natural and tells us the very same thing.

So in short, while the use of the "em dash" is not bad thing, you should consider what you are trying to say. What you want the reader to feel as you say it. And not try to obstruct the natural flow of the reader too much.

I hope this helps you clear things up a bit. This is the way I see it.

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