: Confusing writing in order to show how character is falling asleep - is it OK? Generally, writing something confusing is not good. On the other hand, a writer should show rather than tell.

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You have to be the careful type. I am annoyed with the repetition of something in your excerpt.
"She wanted to fall asleep and sleep but she couldn’t sleep because she couldn’t fall asleep even though she was very tired. " This was very annoying as you have to wrap mind around it. But, I think you should go for idea, nice to try it and see respone from website like this.

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I think the effect is absolutely worth working toward, but I'm not sure you're working in the right direction.

The excerpt you gave, for me, felt stimulating rather than lulling. The first sentence was frustrating ('tossed at her' made me think the brain was tossing (like tossing and turning) in response to the voices) so my brain was on edge, and then the repetition of 'sleep' and 'asleep' seemed to intensify rather than sooth. I'm not sure about the long sentences, either. I think they tend to build toward a climax, rather than ease into relaxation.

So, absolutely OK to try, but this attempt didn't work for me.

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I agree with Lauren. I like the concept a lot.

It is a very difficult balance to try to use a unique literary device like purposefully garbled inner-dialog while remaining invisible as the author. If you're too obvious it feels out of place, but if you're too subtle then it just looks like sloppy writing. It's a bold move for sure.

I can think of a couple alternatives you might use instead of, or in conjunction with your idea...

Poetic offsets are a useful tool if not used in excess. They signal a reader to read this text in a different way without necessarily having to say anything at all.

Her drowsy brain tossed at her fake, annoying sounds of questions and requests in voices of people she knew. She wanted to fall asleep and sleep but she couldn’t sleep because she couldn’t fall asleep even though she was very tired. She wanted to giver herself away to her pursuers,
to sleep,
to death.
She was tired...

note: not suggesting that structure specifically, just an example.

Alliteration is another poetic tool that could get the point you want across. Wordsworth was the master of alliteration in my opinion. Anytime I wonder if it's possible to make words sound like something completely unfathomable I read his poetry and am usually inspired. I don't have a specific suggestion here, but I do think that classical poetry could offer something more to your idea.

A final thought. To answer your question as briefly as possible, I would say yes it is Ok. The one thought I can't shake though is, if you had not specifically asked if it was Ok, would I have noticed what you were doing on my own? I think you might get a better response to your raw idea if you ask us blind next time. It might have been the same, I might have thought it was really clever, but unfortunately I'll never know because I already knew what you were doing before I read your work. Very interesting idea Jacob, good luck with it!

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I like this idea, actually. I'd straighten it up just a little:

She was tired, like a bug crawling and skipping off and on the height of a wall together with something else that wasn’t exactly the opposite of the sort of idea, sort of laughing but not really meaning it particularly because when it was time to throw the street under the most medium lightning nobody would have to because she wasn't serious, not really.

There's just enough of a thread of an idea which can be followed semi-logically, without becoming entirely gibberish. It's a cool technique. Go for it!

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