: Re: Do I really need disclaimers? I write non fiction books about computer science and security (Zzz) but with the security bits in particular, do I really need to put a disclaimer saying "hey

If you really think someone is going to use your book as a how-to, then write a preface which is a single large, comprehensive disclaimer. Put all the "don't do this at home" copy there, and if it's an e-book, throw in the occasional link back to it.

(Also, don't publish genuine secrets, and you may want to have the number of a good lawyer on hand as a backup. Because people are sometimes insane.)

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: In narration, stay in one tense. "She had green eyes" is fine, because your entire story is in the past tense — the "present-past," if that makes sense. If she had green eyes as a

@Debbie451

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: "Literary criticism" and "editing feedback" are two entirely different beasts. Litcrit is about looking at an existing text and analyzing it. You look at the author's intent, you look at symbolism,

@Debbie451

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: Consequences. A strikes B. Even if B provoked A, A still gets arrested, processed, tried, convicted, and serves time. A gets grief from family and friends. A feels mixed anger, resentment,

@Debbie451

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: Is breaking the fourth wall to the point of nonexistence appropriate for a comedy book? After considering the style and setting for my first book, I've decided on writing a comedy treasure hunt

: Re: Do I really need disclaimers? I write non fiction books about computer science and security (Zzz) but with the security bits in particular, do I really need to put a disclaimer saying "hey

More posts by @Debbie451

: In narration, stay in one tense. "She had green eyes" is fine, because your entire story is in the past tense — the "present-past," if that makes sense. If she had green eyes as a

: "Literary criticism" and "editing feedback" are two entirely different beasts. Litcrit is about looking at an existing text and analyzing it. You look at the author's intent, you look at symbolism,

: Consequences. A strikes B. Even if B provoked A, A still gets arrested, processed, tried, convicted, and serves time. A gets grief from family and friends. A feels mixed anger, resentment,

: Is breaking the fourth wall to the point of nonexistence appropriate for a comedy book? After considering the style and setting for my first book, I've decided on writing a comedy treasure hunt

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