: Re: What do you think about having very different tones in a single story? What if a chapter is incredibly depressive, dark, with intense language. And the next reads almost like a dialogue from

You could get away with drastically different tones if you had two different POV narrators. If one is Tina Fey and the other is Sylvia Plath, they will of course see the world differently. The contrast will probably make your book lean more towards humor/dark humor/satire, so as long as you're okay with that, give it a shot.

This is not the same as a lighter passage in a bleak book or a dramatic scene in a funny book. We're talking about entirely different tone, vocabulary, and imagery.

I would not have a third-person limited or omniscient narrative voice which changes from Fey to Plath without explanation. The whiplash would be off-putting.

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: Re: What do you think about having very different tones in a single story? What if a chapter is incredibly depressive, dark, with intense language. And the next reads almost like a dialogue from

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