: Re: How can I get my romance through a two-year breakup? My story calls for the main characters to break up for at least two years, before getting back together. (In this particular case, the

They could each join the same social group, on accident (one character is already a member; the other then joins, not knowing). This would force them into proximity, which would generate conflict and tension dependant upon their initial split. You could ride this tension for a full two years, or introduce it later on -- a year in, or six months -- so that it could catalyze their eventual reunion, with a resolution or "snapping" of that tension.

If not: there's always pining, nostalgic longing, looking melancholically at pictures. Etc.

Good luck!

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: Don't discount yourself because you're young. That's great that you're starting off so early. Keep at it! Though I don't believe anyone will have a problem with it, there are different scenarios

@Welton431

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: Position of Footnote on Page This question isn't about a case that I have a problem with; it's just a purely hypothetical thing that I've been thinking about. Suppose you are writing a book

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: Original writing is lost when using other people's ideas? Let's say you have a story about a fictional war on a futuristic world and you already have five chapters going on and you want to

@Welton431

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: How does an author determine how much foreshadowing is needed? I am working on a screenplay where the opening scene is that a woman has lost 20 years of relative age because of a "time machine"

: Re: How can I get my romance through a two-year breakup? My story calls for the main characters to break up for at least two years, before getting back together. (In this particular case, the

More posts by @Welton431

: Don't discount yourself because you're young. That's great that you're starting off so early. Keep at it! Though I don't believe anyone will have a problem with it, there are different scenarios

: Position of Footnote on Page This question isn't about a case that I have a problem with; it's just a purely hypothetical thing that I've been thinking about. Suppose you are writing a book

: Original writing is lost when using other people's ideas? Let's say you have a story about a fictional war on a futuristic world and you already have five chapters going on and you want to

: How does an author determine how much foreshadowing is needed? I am working on a screenplay where the opening scene is that a woman has lost 20 years of relative age because of a "time machine"

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