: Re: How does an author determine how much foreshadowing is needed? I am working on a screenplay where the opening scene is that a woman has lost 20 years of relative age because of a "time machine"
My first thought is that if you want a romance between a 50 year old woman and a 30 year old man, you can do it. You are writing about a time machine, that's far more unlikely than your romance!
They might have to deal with people saying she's a cougar probably paying for the younger man's attention. You can use it to enforce their love, both of them against the rest of the world, and so on.
Do you really want to foreshadow the fact their ages are going to be the same? If it's already clear in your story that there will be a time machine, the reader will understand where all of this is going far in advance. Do not push it.
If there is no evidence of a time machine before the travel, keep it a surprise solving all their age issues. This sounds like a happy end, don't spoil it.
I think the reader will understand, even if you have the play with the time machine travel before the flirt. And even if the reader doesn't understand, he will enjoy the discovery of the plot twist better than any announcement long before.
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