: How to write about an emotion you never experienced? Is it possible for a writer to describe realistically a never felt emotion? For example I have never experienced faith, or being truly in
Is it possible for a writer to describe realistically a never felt emotion?
For example I have never experienced faith, or being truly in love. I've never physically hurt anyone and have no idea of how someone feels when attacking/maiming/killing someone.
In some cases it is possible to use a somewhat close experience (like building on how I feel when I have no access to cigarettes or coffee for a few days to write about drugs withdrawal) ; but sometimes it's not an option.
For now, my solution is to rely heavily on the "Show, don't tell" rule and describe how a character looks and acts, but not their exact emotions. I don't know if it's enough.
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Be a good observer. Observe the people around you closely. Just don't see their actions ,but try to observe the reason or feeling behind them. Try to think, how would you feel if you are in that state of mind. Observing things make you imaginative. We don't need to experience everything to write about it. What we need is the ability to relate other people emotions with our emotions.
No writer can experience everything. Most of us haven't died, and yet we write about death all the time. Likewise, when we write about grief, we may draw on our own personal experiences, but oftentimes, we let our imagination take control.
Perhaps you can boil down the specific emotions you want to describe into more general emotions: you may not have ever been angry enough to kill anyone, but there may have been times when your anger caused you to behave in an irrational fashion. Likewise, you may never have had an addiction to drugs, but you have probably felt the desperation of needing something so badly that you obsess about it, that can feel your brain twitching from thought to thought, always back to thing it needs. The physiological details can be added through careful study (although in the instance of drugs, avoid just watching Trainspotting or Requiem for a Dream: these films have spawned dozens, if not hundreds, of copycat representations of addiction and they're pretty easy to spot). Do real research into the scenario you want to portray: the more you read, the better.
"Show, don't tell" is a good rule of thumb regardless of how much research or imaginative exploration you do. Readers are very good at filling in the blanks and can empathize with a situation described plainly as much as one portrayed in lush, agonizing detail. This is where your artistry comes into play.
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