: Different types of "Flashbacks" In a novel, particurlarly fiction, what are the basic ways to reveal something that happened in the past? What ways, (flashback, protagonist telling, etc.) are the
In a novel, particurlarly fiction, what are the basic ways to reveal something that happened in the past? What ways, (flashback, protagonist telling, etc.) are the most used and most effective? Specifically, what is the technical distinction between the protagonist having a flashback, and a flashback that is only for the reader?
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Have you thought about giving Prince Reuben a companion, such as an older "Sergeant of the Guard," who's been behaving like the prince's adviser since the lad's been a teen? The "Man-At-Arms" has been acting as a combination bodyguard, teacher, and foster-father; rather than bowing and scraping like some sycophantic subordinate "Squire."
When something requires a detour to an explanation, there's the crusty old duffer, who says words to the effect: "Prince Reuben, I know you were a mere child, more interested in the intricacies of a rag-teat than the obscure details found in Treaties of the Realm, when Baron Obstreppio was granted all the low-lands adjoining the so-called Marsh of Miseries, in exchange for his pledge to provide seven Legions annually to be the defenders of the Valley of Mere against the raids of the wild men of the Mountains of Woe . . . ." and so forth.
Yep! I know that was hopelessly corny! Just giving an example of how you might use the old man as a handy font of all knowledge, and the constant live-in teacher of Prince Reuben.
He has saved Prince Reuben's life on several occasions, and the lad feels affection and respect for the old soldier, which softens his attitude toward the old man, when the old gentleman occasionally loses patience with the admittedly arrogant young punk and tries to show the lad the difference between the "statesman" he knows Prince Reuben can grow to be, and the arrogant punk he occasionally threatens to become.
And that is another old man's suggestion of a way to reveal vital facts, part-way through the third chapter, without dropping some Owlsley!
Interesting question. Here's my take:
Dialogue
"So in ninety-one, I was following the Grateful Dead around the country. I swear, the last two minutes of 'Black-Throated Wind' from that MSG show was one of the highlights of human history."
Third-person omniscient information dump
Fans of the musical band the Grateful Dead widely regard their show from 9/10/91 at Madison Square Garden a top performance in the band's illustrious history thanks in part to a cameo appearance by renowned saxophonist Branford Marsalis.
A true psychedelic-style flashback (usually first person)
I hadn't taken LSD in 25 years. One minute I was with my friends reliving our wilder days now that our kids are grown ... The world spins, and lights flash all around me. Confusion dominates my psychology because there is no saxophonist in the Grateful Dead, right? Apparently there is tonight! I can't imagine a sweeter sound.
Dream states
Either 3) or 4) have to be done extremely well not to appear sophomoric. You might try the movies Fear and Loathing in Las Vegas or Memento for some very interesting takes on the subject.
All four are common in fiction and their effectiveness varies with author and scene. I tend to use mostly dialogue, but I dabble in the others. Information dumps are specifically for the reader.
I'll add 5) Third-person limited thinking about one's past. This is usually done in past perfect, and it can make for confusing sentences
Joe thought about that time from 1991. He had used drugs, to be sure, but he had known at the time it was a special moment either way. Only later did he realize how special it was. Would he ever feel that way again?
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