: Re: How do you describe someone approaching and calling out at the same time without using different font sizes? So i have this As Fate's worry grew and grew something drew her attention to a

I'd simply say, "Her voice started out very faint but grew louder as she approached." I'd avoid trying to convey the idea with font changes or other typographical gimmicks. (a) If you eventually get this published, the publisher may not be prepared or willing to do that. And (b) Unless you explain it, the reader may not understand what you are trying to convey. And of course explaining it would break up the narrative.

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: Is there a term for a fiction piece that goes after the prologue but before the epilogue? I'm writing a long non-fiction text that describes a fictional setting. I came up with a fiction piece

@Annie587

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: I've heard this as a classic guide for reporters. A news story should answer all these questions. I've never heard of someone drawing diagrams of it or building some big system out of it,

@Annie587

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: When you send your work to a publisher or agent or anyone, it should be the best that you can do. Which would you rather read: A story that is the writer's absolute best effort, or a

@Annie587

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: In general, I'd avoid naming a specific musician in a causal reference like, "When Sally got home, she sat on her bed and listened to X". (a) Popular musicians come and go pretty quickly,

: Re: How do you describe someone approaching and calling out at the same time without using different font sizes? So i have this As Fate's worry grew and grew something drew her attention to a

More posts by @Annie587

: Is there a term for a fiction piece that goes after the prologue but before the epilogue? I'm writing a long non-fiction text that describes a fictional setting. I came up with a fiction piece

: I've heard this as a classic guide for reporters. A news story should answer all these questions. I've never heard of someone drawing diagrams of it or building some big system out of it,

: When you send your work to a publisher or agent or anyone, it should be the best that you can do. Which would you rather read: A story that is the writer's absolute best effort, or a

: In general, I'd avoid naming a specific musician in a causal reference like, "When Sally got home, she sat on her bed and listened to X". (a) Popular musicians come and go pretty quickly,

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