Homepage
Login
New Post
Profile
Speaking as something of a practitioner of writing in archaic language, I advise learning the way people write in current language: old texts can be a teacher of sorts. Doxology is modeled after KJV English, and the older style of English, with for the most part the simpler, appears as insets from a fictional Brocéliande in The Sign of the Grail, which has meticulous drinking in of Sir Thomas Mallory not as the beginning of modern tellings of Arthurian legend but as a last great flourish as the medieval tellings of Arthurian legend basically closed. Someone with any perception of the tradition may notice I left out a major feature from the (12th cent.) Brut to Le Morte d'Arthur (15th cent.; the work is essentially a thousand pages of sheer synopsis where one of Chrétien's complete romances is condense to a page or two) keeps on entering interminable battles between knights in which both combatants hack each other to death's door but are fully healed within a fortnight. In that regard, Chrétien de Troyes (12th cent.) didn't just deliver courtly love and worlds of wonder; he also delivered what would today be Arnold Schwarzenegger action-adventure movies.
One basic and generic piece of advice is to decide what you want to write, and read a thousand books in your preferred genre. Want to write romance? Read a thousand romances. Want to write a thriller? Read a thousand thrillers. Want to write mystery? Read a thousand mysteries. The principle is generic, and it doesn't just apply to languages where there are living native speakers. There is some extra effort needed to work on an archaic or a dead language, but the added burden can often be surprisingly light. And even if you are taking a living language, people speak about how enlightening it can be to read just one novel in the language and culture you're learning.
(0)More posts by @Turnbaugh521
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.