: Re: Signs of Bad Character Development When creating a character, what red flags would show me that I'm creating an unbelievable or unsympathetic character? I know that to be believable and sympathetic
I like to discover a character like solving a mystery. Provide enough information to figure it out without giving it away. Clues can be provided indirectly. A character may reveal something about herself in one conversaton but omit it in a similar one. What someone doesn't say or do can be equally important.
Their past should be consistent with their actions but not predictable or way off. Indoril Nerevar had a great point on providing too much background before any action. Never thought about it before but it makes sense. That way you identify the character in the story and don't just read a bunch of facts about them with no context.
It's nice to base a character on what or who you know, but you have to be careful how you present them. Unless you can recall how you met this person and learned about them, you may want to have a fresh start and meet someone new. It could provide a better understanding of the discovery process. How did you know they came from a wealthy family? You don't remember seeing the Christmas card of their family in front of that massive fireplace and the dozen questions you asked about it. Now it seems like you've always known, but the reader won't.
More posts by @Cody1607638
: Do you always revise your stories or do you sometimes move on? When you finish a story, say a short story, not really intending to publish. Do you go back and revise it or let it be,
: Alright, so to infuse personality into a paper, there are lots of things you can try. This might seem silly, but it works. Read something unusual. If you're having problems because your prose
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