: How can I Avoid Being Frightened by the Horror Story I am Writing? Yes, I have to admit it. I don't like horror movies because (shocker) I find them scary. Unlike other people in my house,
Yes, I have to admit it. I don't like horror movies because (shocker) I find them scary. Unlike other people in my house, I do not like being scared. Especially right before I go to bed. I dislike going into haunted houses. I also dislike being alone in the dark.
This is not to suggest I'm a paranoid wreck of nerves - far from it. I do have a problem when it comes to writing horror though. I realize that if I'm creeping myself out with my own writing, that's a good indicator I'm on the right track. That's great.
My problem is that I find it genuinely difficult to write horror. I tend to shut the door when I write to minimize distractions. I can get mildly claustrophobic. I find myself glancing over my shoulder as I write. If it gets really bad, I can't focus on the writing because I'm freaking myself out.
Is there anything I can do to help with this? I feel like I could write a really good horror story, if... you know, I wasn't scared by it.
EDIT: Further information:
This is not a great fear that grips me all the time. I can and do
get past it, quite frequently, in fact. I dislike it whenever I watch
a horror movie before going to bed, yes. I stay awake for a few
hours, yes. But I eventually go to sleep. I dislike going through a
haunted house, but will do so if my friends are urging me to.
I do not, as has been speculated, fear death. I am a Christian, and
death holds no fear for me. What I fear is the unknown. The darkness
can hide anything. When I watch a horror movie, if the 'horror'
element is not explained, it's more frightening because I don't know
what it is.
It should not be assumed that I am forcing myself to write horror,
or that I write nothing else. Neither of those things are true. I
write Fantasy and Sci-Fi and thoroughly enjoy it. I once wrote a
short horror story which really focused on fear of the unknown. I got
through it and thought it was quite good, but writing it was
difficult. Now that I've written it, I'm curious to revisit the
genre, as I have some ideas for other horror stories. That is the
only reason I asked this question.
Certain answers have suggested that I am afraid of what I write. I'm
not, primarily because if I wrote a horror story again, it would be
horror fantasy. Generally, nothing in it is going to be real. The
atmosphere of the story gets my imagination going though, and I start
to feel the urge to keep an eye on dark corners.
After reviewing all of the answers, I would like to bring several to the attention of any future viewers. I found three to be the most helpful:
The answer by Mike C. Ford and the answer by Cort Ammon were both excellent. They said the same general thing, but I thought Cort Ammon's answer stayed on topic better.
The answer by Deus Ex Machina, which I have marked as the answer, I initially did not like. After some thought, I believe it is the most likely to help me when writing though.
I also found the answer by aaa to be good. It was the kind of answer I was looking for and provides some excellent tips for writers in need of an answer right away.
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@Murphy332
This is really a psychology question, so there wont be a one-size fits all answer which a random individual on the internet can provide you. However, one of your quotes suggests to me a direction:
I do not, as has been speculated, fear death. I am a Christian, and death holds no fear for me. What I fear is the unknown. The darkness can hide anything. When I watch a horror movie, if the 'horror' element is not explained, it's more frightening because I don't know what it is.
This is an interesting phrasing, given that many consider what happens in death and afterwards to be "the great unknown." And yet little unknowns like "what's in this shadowy corner" distract you. If I may read into your statement (again, as a random individual on the internet who doesn't really know you), this suggests to me that you don't fear death because you know what comes after.
However, anyone with a little inductive logic can show that this should also be enough to not be frightened of the shadowy corner, but from your question, that is clearly not the case. There must be some other logic which we can apply.
I would postulate that you have a division in your worldview. There are the present things, like what you're writing, what you are having for lunch, etc. Then there are the eventual things, like death and all that holds from your religious beliefs. You do not fear the eventual things, because you can intellectually rationalize that you shouldn't be afraid of them because you know what comes after those eventual things.
However, there may be a gap in your worldview between the present things and the eventual things. For some reason "what's in the shadow in the corner" can't link up with your faith in the eventuality of everything. Thus, the fear of the unknown can manifest in present events.
If this is accurate (again, I'm just a random individual on the internet), then you might benefit from creating your own "eventuality" for writing. Focus on something that should be an eventuality that's fully in your control (perhaps "I will feel like getting up from this seat, and all will be right with the world"), and tie that eventuality to your confidence that everything will be all right for other reasons (such as your religious beliefs). You may have to play around a bit with it to find the best anchor for you (by all means, find your own, don't borrow a random internet stranger's!). Eventually you'll find something that's close enough to present events to provide you comfort in your certainty and immunity form the unknown, but something far enough out that you can tie it into your general sense of confidence that you know all that matters.
Of course, I would recommend seeking a happy medium: find something that takes the edge off of the fear of the unknown, but doesn't insulate you from it. The fear of the unknown is a powerful force in the human mind. Why miss out on an opportunity to improve yourself. Stare into the unknown, and smile at it. Who knows, something may smile back.
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@Bethany377
I little trick i sometimes use if my own writing gets "too close" for comfort (and i mainly write horror):
Be your own comic relief. Maybe in your story, the murder is slowly creeping closer behind his victim, and the reader can see that in the mirror, but the character can't. He is helpless, unsuspecting. Slowly, the horrible murder clown gets closer - and trips over his feet, falling down, hitting a cupboard, on which there is a vase, that falls down, and hits him on the head, knocking him unconscious.
Remember that you are in power. you are in control of your story, and your own story can only frighten you if you let it. From time to time we need to remind ourself of this. And if knowledge isn't enough, we need to prove it to ourselves, by destroying suspension, and making the "scary stuff" do "silly stuff". After you cooled down, just delete the funny scene and continue with the suspense... :)
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@Samaraweera193
There are a couple of ways that might help.
Do not be alone when you write. You don't have to sit in a room full of people. Just sit somewhere (preferably in the park) where there are many people around but not too close.
Do not base you story setting on the location you are in. If you are writing a horror story about something terrorizing people in the park, it is better to sit somewhere else.
If you have to write at home, do it when other family members/friends are around. It helps when you know you are not alone. Opening the door will also help a bit because you know there are people right across the hall. If you concerned about distractions, you can convey that to others beforehand. They will understand.
Write during the day.
You have to compromise on something but I think little distraction is better than sitting alone in fear and able to write anything.
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@Gail2416123
Seeing an axe murderer at the end of a hallway is scary, but not seeing them and knowing they're somewhere nearby, maybe round the corner, or maybe behind you, is much scarier. This is because, as you said in the question, the fear of the unknown is something that the majority of people have in some capacity.
I wrote in this answer about the scariest scene I've ever read, but that is because the character cannot see what is happening around them, and does not know what will happen if they are caught, therefore our brains fill the space with worst-case scenarios. But seeing the scene from a third person perspective would make the scene look quite silly.
This is what separates good horror writing from bad: Good horror will have us hiding behind our fingers barely able to watch, as we empathize with the fears of the character, whereas bad horror will have us shouting "just get up and run! Don't hide in the closet, the killer will find you! Jump out of the window and get to the police station!"
To make sure you are not drawn into the horror scenario yourself is to eliminate the horrifying aspect: The Unknown. As you're writing the story, think to yourself about the hows and the whys, so that you know more than the reader will. It may even be beneficial to picture the scene in a less then serious way, so long as you don't let that bleed through into your writing, as it will cause it to change from the good type of horror to the bad.
For example, instead of picturing yourself as the character running through the house with a murderer behind you, imagine the house from a bird's-eye perspective, and have the scene unfold like some sort of Benny Hill sketch. This should at least help with the issue of needing to look over your shoulder when writing, as it will be easier to visualize exactly where the character and the thing they are afraid of are, as opposed to "they could be anywhere".
Or take a leaf out of the book of Dead by Daylight and try to see the scene from the perspective of the murderer. They're unlikely to be afraid, so examine the situation from their point of view. Once you've experienced the situation in the position of power, the vulnerable position becomes less frightening.
Alternatively get into the head of the thing causing the fear. Why is this person a murderer? Why did they choose this victim? Why is this big scary cloud monster harvesting souls? We tend to dehumanize things when they're scary, but if a person has a motive, and a backstory, then they are just another person who just happens to kill people. Perhaps it would be possible to reason with them, but the potential victim just never gets the opportunity.
Edit: Adding a summary, all of my suggestions really boil down to the same thing: recognizing that the frightening scenarios are not actually very realistic.
Experiencing the horror feels realistic in the moment, because it preys on our deepest fears. But our fears tend to be unrealistic and expanded inside our own heads anyway, being in the actual situation is much less frightening than what we imagine it would be like inside of our own minds.
The more you focus on the reality of the fictional situation, the more you will come to realize how the most realistic frightening situations are actually just fiction invented by our own brains. So then when you're looking over your shoulder and into dark corners, it will be easier to feel like the real fears are just fictional.
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@Vandalay250
Also draw on that fear. I read in Jeff VanderMeer's "Wonderbook" about a concept called "writing from your scar," which could also be applicable to your situation also. Basically, it means drawing on those experiences that have left a scar on you (figuratively). You could apply this to your situation by drawing on your fear, incorporating it into your characters' psyches, instilling microtension into all of their thoughts and actions via this fear vs what they want to achieve. If you can do this, you might be able to use your fear to your advantage. But if you feel inclined to writing what scares you (and I applaud you for this act of literary courage), you must not avoid, but rather explore. Good luck.
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@Alves689
Name/Define the fear and you get chance to avoid it
I think using own self for measuring level of horror is not always the best if expecting/hoping for same effect for other readers. Or is it a goal actually for Thomas?
So to be able to keep horror/fear/fright out, it should be defined: What is it, and what effect is harming Thomas' nerves. Every single thing that can be described will have features. Associating features to that fear make several step out from the state of unknown. Features can be addressed, avoided or even stand up against. Depending on the story, the nature of features and Thomas, tools like reality-check, story goal priorization, temporary or permanent elimination of fear source can be effective.
Let me know if we should work on this with further Q&A.
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