: Re: Subplot with no established POV character present I'm writing a novel with several POV characters, one of which is the director of an intelligence agency. So far, the entire story is told in

Since your story is in third-person, I think you're fine for that handful of scenes. Susan Elia MacNeal's Maggie Hope mysteries are set up like this: 95% of the scenes are from a specific character's POV, whether main or not, and a few scenes here and there are third-person objective. It works fine.

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: I think what's being missed here is the idea that what makes something a "perfect" world is not the same for everyone. If you want an example of a utopia, try The Wizard of Oz and the

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: Standard format for symbols that denaote text, phone or email message or dialogue, when all are used in same story I am writing a short fiction piece that has rapid fire texts, emails, phone

@Debbie451

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: Where in the writing process do you work in subtext? In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror"

: Re: Subplot with no established POV character present I'm writing a novel with several POV characters, one of which is the director of an intelligence agency. So far, the entire story is told in

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: I think what's being missed here is the idea that what makes something a "perfect" world is not the same for everyone. If you want an example of a utopia, try The Wizard of Oz and the

: Standard format for symbols that denaote text, phone or email message or dialogue, when all are used in same story I am writing a short fiction piece that has rapid fire texts, emails, phone

:

: Where in the writing process do you work in subtext? In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror"

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