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: Re: Subplot with no established POV character present I'm writing a novel with several POV characters, one of which is the director of an intelligence agency. So far, the entire story is told in
If you need to introduce a new character to move the story forward, do it. Picking the flavor of POV is secondary, you can be either objective or subjective, the choice is yours only, and only the time and your alpha readers will tell, if you were right. The only advice is—do not abandon that character, when his or her task of progressing the story is done. Make sure they either stay in the picture or exit meaningfully. My preferred method would be killing them, of course, but it's just me. :-)
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![Caterina108](https://selfpublishingguru.com/images/player/000default.jpg)
: Subplot with no established POV character present I'm writing a novel with several POV characters, one of which is the director of an intelligence agency. So far, the entire story is told in
![Caterina108](https://selfpublishingguru.com/images/player/000default.jpg)
: Italics for both internal monologue and dialog emphasis? I have adopted the use of italics to denote internal monologue. A reviewer suggested that I italicize a word of spoken dialog to denote
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