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: Re: Subplot with no established POV character present I'm writing a novel with several POV characters, one of which is the director of an intelligence agency. So far, the entire story is told in
If you are basically giving exposition in these extra scenes, it is an opportunity to switch styles. Instead of yet another POV character or just omniscient narrated events, perhaps these scenes are written as an after action report, given as newspaper clippings, or some other manner that clearly distinguishes them as separate from the main narratives but still conveys the necessary information. They could make for a good way to signal breaks/transitions in the main storylines if they fall into a three act structure. If they need to be more immediate, perhaps audio dictations, transcripts of phone conversations, or emails would feel more immediate than an AAR clearly written after everything has unfolded.
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: Can a scene be written to be disorienting and not be too confusing to readers? I've written a scene in a short story where the character and her party are suddenly attacked in the night.
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: How to cite Authorization for Use of Military Force as published online in MLA style? The newest version of the MLA manual came out in April and so the OWL Perdue website is technically out
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