: Re: Script-style conversations in a book How good is it to use script-style conversations in stories? New Hampshire, 2144, Beside a sign at Bulgart st. James: Please, Robert, I don't have

Either you're writing a prose piece or you're writing a screenplay. Don't do both.

If you're doing some advanced stuff with formatting trying to represent different kinds of media (radio transcripts, chat logs), you might be able to have speaker tags the way you do above, but not ploppped down in the middle of a regular paragraph.

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: I think what's being missed here is the idea that what makes something a "perfect" world is not the same for everyone. If you want an example of a utopia, try The Wizard of Oz and the

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: Standard format for symbols that denaote text, phone or email message or dialogue, when all are used in same story I am writing a short fiction piece that has rapid fire texts, emails, phone

@Debbie451

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@Debbie451

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: Where in the writing process do you work in subtext? In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror"

: Re: Script-style conversations in a book How good is it to use script-style conversations in stories? New Hampshire, 2144, Beside a sign at Bulgart st. James: Please, Robert, I don't have

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: I think what's being missed here is the idea that what makes something a "perfect" world is not the same for everyone. If you want an example of a utopia, try The Wizard of Oz and the

: Standard format for symbols that denaote text, phone or email message or dialogue, when all are used in same story I am writing a short fiction piece that has rapid fire texts, emails, phone

:

: Where in the writing process do you work in subtext? In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror"

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