: Re: What pitfalls and guidelines are good to know when picking character names? I'm getting close to writing my first novel (plotter here - I develop the book first), but I do not yet have names
Another way to answer this question is to talk about the manner of introducing names within fiction. What is the most effective and memorable way to introduce these names? Here are some questions to ask.
Are you introducing these characters through dialogue or prose descriptions?
Does the narrative structure offer an opportunity to introduce each character one at a time? Or are you beginning at a "crowd" scene?
Are you expecting the audience to encounter written prose (or perhaps hear the story be read aloud? )
Is the intended effect of introducing people to disorient the reader -- or to provide clarity?
What are you using to differentiate characters -- at least initially? Physical appearance? Context upon first meeting? Attitude expressed through dialogue?
I believe that the author should simplify this presentation to make it easier for the reader to tell the difference. But there are several examples which run against my rule: Absalom, Absalom -- which is intentionally disorienting -- and crowd scenes -- which run quickly through lots of characters -- before returning to each character individually later.
For fiction with chapters, it seems easier to limit introduction of character to 2 or 3 per chapter, but that is often impractical.
Also external descriptions (and even descriptions of a character's history) may slow down the narrative too much.
I would tie this question to 2 other questions: 1)how omniscient/intrusive do you want the narration to be, and 2)does the book structure lend itself to a sequence of exposition scenes?
As Jack Matthews wrote in the linked essay above, the sound of the words (and the historical context) imbue meaning to the name. With sci fi and other genre, names can have a secondary purpose of conveying a sense of a different culture or world -- I'm thinking of Ursula LeGuin's Left Hand of Darkness where the names are strange/long/unlike what Terrans are used to.
More posts by @Becky328
: Lythric has a good start. I would add an old junior high teacher's advice. Don't worry about grammar or punctuation, if you can read it aloud, it is English. Then you can do the old chestnut,
: Dialogue interruptions — using em dashes This is my first time in writers, so I apologise if I make a mistake. I've searched for this, but I can't find a concrete and complete answer. Please
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.