: Re: How do I gain sufficient emotional distance from my work to edit it? This question was asked by a member of my critique group at the beginning of the month and I've been stewing over it
Beyond time and cleansing your brain-palate, which others have noted here, I found that being a little "off" helps me, oddly enough. A little sleepy (like foregoing my morning coffee), a little hyper (several extra cups of coffee), working in somebody else's house, working on somebody else's machine. Change something about your usual environment.
What you essentially want is not to be re-writing the story in your head as you go along reading it. You want to read it with an editor's or outsider's eye. Time and distraction accomplish a lot of this, but so can altering your mental state slightly. Obviously you don't want to be impaired, because that prevents you from accomplishing anything, but "a jump to the left" is what you're aiming for.
More posts by @Debbie451
: Where in the writing process do you work in subtext? In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror"
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