: Re: The protagonist can't defeat the antagonist without the antagonist being stupid What should I do if my story's plot is built around the antagonist being extremely strong, and by the end it's

The antagonist doesn't have to be particularly stupid (or the protagonist particularly clever), the protagonist needs to just find a piece of information that the antagonist doesn't have, not because they are stupid, just because different people have access to different information.

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: Is a single main character really important in a novel involving a team effort? I have had several people ask me who is the main character of my thriller novel. But, the novel involves multiple

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: Documenting the no-args call of a command line program I am writing the built-in help for a command line program. The exact name is irrelevant, so let's use foo as a placeholder. This utility

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: Does a story necessarily need a theme? I'm writing a short story From what I understand, the theme is the message that I want to send across. Akin to Beauty and the Beast's "Don't judge a

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: Can success create its own crisis? I am writing a story with a three crisis structure. The first is an external crisis that has the hero rushing to the rescue of the heroine. Then their relationship

: Re: The protagonist can't defeat the antagonist without the antagonist being stupid What should I do if my story's plot is built around the antagonist being extremely strong, and by the end it's

More posts by @Welton431

: Is a single main character really important in a novel involving a team effort? I have had several people ask me who is the main character of my thriller novel. But, the novel involves multiple

: Documenting the no-args call of a command line program I am writing the built-in help for a command line program. The exact name is irrelevant, so let's use foo as a placeholder. This utility

: Does a story necessarily need a theme? I'm writing a short story From what I understand, the theme is the message that I want to send across. Akin to Beauty and the Beast's "Don't judge a

: Can success create its own crisis? I am writing a story with a three crisis structure. The first is an external crisis that has the hero rushing to the rescue of the heroine. Then their relationship

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