: How to write hidden details In movies and TV shows and the like, there are often details that the writers work in that are hard to catch at first sight, but can be found if you happen to

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You could repeatedly describe the appearance of N. at certain points (e.g. when your protagonist meets him). Each time, mention the necklace as part of the description.

After the fight, describe the appearance, but omit the necklace.

The only thing is it might seem a bit contrived (esp. if N. is the only character whose appearance you repeatedly describe). But it could work if, for example, the protagonist likes to pay particular attention to people's clothes, or N. has a habit of wearing unusual or gaudy, or particularly fashionable or unfashionable clothes.

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I disagree with the first answer. The core of the problem is the writer's individual style. Essentially, we're discussing the well-worn subject of 'show don't tell'.

Showing leads the reader to derive or conclude based on the presented information.

"Can you get the Wok from the top cupboard, please?" said Mrs Smith. "You know I can't reach."
"Stir fry, again?" said Mr Smith. "Why can't we have some good old American food?"

From this brief exchange the reader will make assumptions that are not stated facts. e.g. The characters are married. Mr Smith is taller than Mrs Smith.

Let's examine this on a more complicated level . . .

We have a mixed race female character "Charlie". Throughout school she identified with the blacks and Hispanics. Charlie's world is music, from a very young age she could rarely be found without earbuds blasting Hip-hop into her ears.

In random scene, earbuds in, Charlie's doing her homework in her room. Her stepmom shocks her by taking her by the shoulders and turning her around to tell her that her dinner is ready.

You've been shown (but are unaware of the fact) Charlie has two superpowers.

We come to a critical scene: Charlie's in a nightclub, dancing. Music is pounding. A huge narcotics deal is about to go down. But the Colombian drug-dealers are plotting to kill the undercover cops and steal the cash.
How do we know this?

You were told . . . On the balance of probability Charlie can speak Spanish, and based on all the previous conversations that had taken place with her earphones in - Charlie's pretty adept at lip-reading.

With your character, perhaps put them in a situation where the absence of the necklace exposed by its omission whilst you through in a red-herring to further distract the reader. e.g the character has a brief meeting or is required to deliver something to a person in a courthouse or, at an airport, or inside an embassy. She's required to pass through a metal detector so hands her phone and watch to the security staff. She returns five minutes later and curses. "WTF? Five missed calls!"

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A few common techniques that mystery writers use to hide clues in plain sight:

Put the detail in the middle of a long list of details. People pay more attention to the first and last items, and less attention to the ones in the middle.
Write a scene in the POV of a character who doesn't know the significance of the missing necktie. The viewpoint character will note N's attire, but simply not notice that N would normally be wearing a tie.
Have a POV character mention a detail that would suggest (without stating outright) that the necktie is missing. Maybe N unbuttons the top button of his shirt.
Put the detail (not wearing a tie) in an early chapter, where it has no particular significance. Give the significance of the detail (it was a gift from his brother, and he always wore it) in a much later chapter. Maybe deliver these two bits of information in different characters' viewpoints. The separation makes it makes the connection less obvious to the reader.

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Here's a possible way forward. I don't often encourage subtleties like this, because readers may miss them.

Scene 1

The next day Charlie came into the office wearing that big stupid
polka dotted bow tie...

Scene 2x

Charlie walked across the dance floor and introduced himself to the
brunette. "Nice tie," she said. "I always go for a guy who wears
polka dots."

Scene 3x

Charlie slammed on the brakes and screamed as his 2012 BMW X2 slammed
into the pole. The air bag exploded in his face and his horn blared.
He struggled to keep consciousness, opened the door and fell out into
the ditch. His eyes blurred and he tried to breathe. He pulled at
the bow tie trying to get air. Charlie stumbled out of the

much later in the story...

Scene 4x

Charlie showed up outside the city meeting. Something was different
about him. He was angry and disheveled. He went to the back of his
BMW X2 popped open the hatch and pulled out a baseball bat. "Who says
you can't fight city hall," he muttered under his breath.

Scene 5x

Charlie woke up inside the jail cell with the foul smell of burning
hair filling his nostrils. "What?" He rubbed his head and reached for
his collar. "What's going on?"

I stopped mentioning the bow tie. Then I have him grab for his collar. You could do this that subtly, but you better then tell your readers exactly what is happening. Readers may miss it.

Always Mention The McGuffin

However, this may be just enough. The point is that you have to mention it always when he has it. That way when he doesn't have it and you don't mention it then alert readers will notice.

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