: How do I blur the line between dream and reality? I intend to write a science fantasy where dream world plays as important role as reality. The dream world stated has quite a distinct feel

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A situation is as real as the characters take it to be

In Monty Python's Search for the Holy Grail, there's a scene where Arthur battles "the black knight," who will not let him pass. After each brief bout of fighting, the black knight has had another limb chopped off. The situation of battling with swords is plausible in the setting. The bloody consequences are not entirely unbelievable. The reason the scene is silly rather than horrifying (besides the corny special effects), is the character reactions.

The black knight is utterly undeterred by having limbs hacked off, showing exactly the same confidence with just one leg as he did with two arms, two legs, and a sword. (He's ready to call it a draw, but not to concede, after he has neither arms nor legs.) Arthur, at the same time, goes from confident, to disbelieving, to mildly annoyed. His reactions, while less absurd, are still not entirely realistic to the horror that a real exercise of hacking arms and legs off would entail.

If your characters experience pain and fear, the scene is real

A little bunny jumps up and bites through someone's neck? Hilarious!

Unless that was your wife of 17 years, the mother of your children and your partner in life, and she really just fell down dead in a mess of her own gore. Then it's not funny at all.

People can be terrified of clowns; there's a fine line between absurdity and terror. Likewise with the other aspects of human experience; it is the realness of the feelings that makes something real. Love and hatred, terror, confidence, hunger... If you want the reader to believe the reality of a dream, you just have to convince the reader that your characters feel it, however absurd the events themselves are.

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You, the author, are creating both the "real" world, and the dream world. From that point of view, neither intrinsically has more reality than the other. Bizarre things may happen in the dream world, but then, bizarre things happen in reality all the time. When things that contradict reality happen habitually in a narrative, we call that "fantasy fiction" and it's something that many readers are happy to suspend disbelief for.

The upshot is that if you treat this secondary world as its own, legitimate reality, and respect whatever rules you set up for it, it will be just as real to the reader as the primary reality. YOU are creating the rules for this universe. There's no way for the reader to judge that the secondary world isn't a valid alternate reality unless you undercut it in some way.

With that in mind, make sure that everything that happens in the dream world has real stakes and real consequences. Everything that happens in the movie version of "The Wizard of Oz" is a dream, but it doesn't feel like a cheat to most viewers, because it has a complete story arc, in which Dorothy genuinely has to grow and change. The dreams that cheat the readers are the ones that short-circuit the protagonist's journey or that give him or her unearned escapes or rewards.

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You're unable to make the dream less absurd? Make the reality less real.

Give it some events that are absurd - things that happen, have a hidden, plausible explanation, but at a glance are bizarre enough to make it feel like a dream. Through some skillful stylistic maneuvers you can make the two realities equally eerie.

Some foreign dignitary is visiting the town, all roads blocked, armed forces preparing route for the column. And there's a demonstration of people dressed up in most fantastic clothes, medieval, fantasy, and just outright bizarre; these are actors from the local theatre, who protest a political decision of replacing their director with the nephew of the mayor. And they refuse to change the route of their demonstration and get in a fight with the police, and all you want is to get to your home, as you witness a cop in riot gear savagely beating the Harlequin with a baton, blood staining the white-and-black clothing and tall cone hat, and you're just angry that they must be doing it in the middle of the road, blocking your way, a big bouquet of begonias for your wife wilting on the back seat...

Then there's a scene transition, and the reality is entirely different, but equally bizarre. And the reader is completely unable to tell which is the reality, and which is the dream until you decide to make the distinction, explain one set of events, show physical absurdities in the other...

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What you're suggesting is very easy. It is probably the way you're thinking about it that makes it seem complicated.

There is no difference between a dream and an extended thought.

A man wakes up goes to the bathroom, looks into the mirror and proceeds to brush his teeth. He kisses his wife and child goodbye and sets off work. At work he has a really bad day. He gets fired. He goes to pub and gets drunk. Finally he has the courage to face his wife so he get into his car and drives home. On the way home he's not paying attention. He runs over a child on a crossing. During the collision the air bag is deployed. His lips and gums are damaged. He spits the blood out of his mouth. He looks down the blood is not red, it's white. He finishes brushing his teeth, kisses his pregnant wife goodbye, and heads off to work.

You were unaware he was daydreaming until you were told, right?

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