: Re: How do I describe Newtonian physics to the reader in a way that is realistic yet not too complex? I have a story where I adhere strongly to plausible physics for space combat (some behind-the-scenes

You need to ask yourself "Is the 'Why' relevant"?"

I mean, watching a real life war movie I tend not to be overly concerned with the ballistic trajectory of bullets or the propulsion quality of jets. I assume they are realistic because I have no reason to assume they are not.

Sure, you may want to show that you did your homework, but the better way to that is to never defy expectations when it comes to physics, rather than devolving into a science lecture.

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: Re: How do I describe Newtonian physics to the reader in a way that is realistic yet not too complex? I have a story where I adhere strongly to plausible physics for space combat (some behind-the-scenes

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: Larger structure - followup to Sense of Style by Steven Pinker I have read Steven Pinker's Sense of Style, which is a great book. In chapter 4, he talks about how to form lucid coherent

: Redeeming a Good Character Who Does a Bad Thing Is it possible to redeem a character who is supposed to be good, but does something inexplicably bad? Let me give you an example so you can

: How to describe complex shots in spec script? I know we must be lean with these, to keep scenes legible and flowing, but I absolutely have/need to describe certain (quite complex) shots in

: Where are standard wordcounts for different types of fiction found? I've heard it said on here that 100,000 words is about right for a novel, 20,000 is about a novella and much too much for

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