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The vast majority of fictional books are one continuous story, which are closer in style to what films are in a visual medium.
I was thinking about why we don't see more books that would be closer in style to a tv show, where each section has a problem or event which is mostly wrapped in 40 minutes and there is some slower arc progression in the overall setting.
Qualifications for "Episodic" works of fiction:
Unlike short story collections, the episodes take place in the same setting with the same cast.
The episodes are generally self contained, and mixing the order will not leave a reader confused if they are familiar with the cast.
Each episode is a suitable length to read in one sitting.
The stories are collected in a single volume, rather than smaller novellas.
In short, what factors create the environment where most fiction is written as a single tightly cohesive narrative?
(5)More posts by @Murray165
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Bookmarks.
It's very easy with a book to keep track of where you are, and even if you forget what has happened in the story, we have an amazing ability to skim back and recover and get on with the story. This makes it a cinch with a book to start and stop as we please and split a very long story up into whatever sized chunks fit our life.
You would never want to watch an episode of television partway through, and then try to watch the rest of the episode later. I've done it a few times out of necessity. Sometimes I'll restart the entire episode. Rewinding and fastforwarding through to catch my bearings isn't fun, and sometimes whatever I am watching it on doesn't even remember where I left off.
The episode format implies that you are consuming that episode in a single session, and the book media really has no such constraints. Episodes can work in a book just fine (as those collected short stories or linked stories novels support), but the format is more likely to attract authors who want to tell the larger stories that books support SO MUCH BETTER than other media can.
Charles de Lint is my favorite author though who writes often in this mode.
What you're describing is a "serial". These used to be common, both in film (short films before the feature in a cinema, back when a nickel would get you a whole afternoon of entertainment), and in paper publishing (magazines and even newspapers would run serial stories). They migrated to radio, and then television, and are (IMO) the real source of our modern 30 or 60 minute programming format.
They fell out of favor in written material when the tastes of the public changed and they became less lucrative for publishers. Magazine publishers found readers were often more satisfied with a short story or novella that was complete in a single issue, or with serialization of a complete novel that would finish in four or five issues, but then stand as a complete, coherent work. Series of stories persisted, but they were generally structured as stand-alone stories that shared a background, setting, and characters.
Bottom line is that episodic stories didn't vanish -- they migrated into media that are better suited for frequent installments (weekly programs), where advertising revenue would pay the bills. Magazines, where they had started, found they could better pay the bills by publishing material people would pay to read -- which usually meant not having to worry about missing an installment.
To fully answer your question would take me a couple of days and 5000 words. I'll try the abridged version . . . I hope you can keep up.
Novels are 80,000 words. Movies are 90 minutes. And, technically, most novels are exactly what you ask for. The popularity of the 3 act structure means you are effectively reading 3 x 30 minute episodes.
This formula is limited by the simple formula followed by most writers. Hero + Villain + Love interest + Journey + Conflict. Due the expected pacing it is very difficult to stretch this story out.
TV series break the barrier by using an large, ensemble cast to create multiple heroes, arcs, and conflicts as well as concurrent storylines.
Episode 1.
Plot 1, Act 1.
Plot 2, Act 1. Plot 1, Act 2.
Plot 3, Act 1. Plot 2, Act 2, Plot 1, Act 3.
Episode 2.
Plot 4, Act 1. Plot 3, Act 2, Plot 2, Act 3.
Plot 5, Act 1. Plot 4, Act 2, Plot 3, Act 3.
Plot 6, Act 1. Plot 5, Act 2, Plot 4, Act 3.
This formula ensures that something is always resolved and something else provides a cliffhanger.
The rise of 'seasons' and 'binge-watching' may have an effect on literature. I took a 450 page novel that I created years ago and re-wrote to be five novellas - Available individually or as a combined volume. It may be of interest the each volume averages 140 pages (700) but the combined works totals 500 (removal of the previously . . . sections).
Book One: "The Twins have Fallen" introduces a talented medical student, Katrina Kaufmann, her transition into adulthood, the emotional high of meeting 'Mr Right', followed by the low of feeling responsible for the events leading up to the tragic death of her twin sister, Elizabeth, in the 9/11 attack.
Book Two: "Life after Death" is narrated by the dead twin, Elizabeth. The story addresses the surviving twin's loss, her entry into the field of genetics, and her bizarre attempt to replace her sister by cloning herself. Whilst narrating Elizabeth begins to question how she's able to tell this story, and why she's still here.
Book Three: "The Next Generation" Katrina succeeds in cloning herself, and gives birth to a healthy girl. But as the child grows Katrina becomes depressed in realisation that the clone, Elizabeth 2.0, is not a reincarnation of her sister. Unable to care for the child as a mother should, the child is taken into the care of the state of Illinois.
Book Four: "My Sisters' Keeper" Elizabeth 2.0's pubescent years reveal that the clone is 'not quite right'. The adolescent is a hermaphrodite. On reaching sexual maturity the clone self-fertilises, regularly producing clones of her own, clones in her own image, who will, in turn, produce more identical offspring.
Book Five: "Pinocchio's Rubicon" focuses on a third generation clones. Joanna Morgan discovers 'she' is a cloned hermaphrodite and bound to produce more clones. History repeats itself when she inadvertently causes the death of her twin sister. Joanna makes the decision to break the cycle by having a hysterectomy. She embarks on a journey to track down her 34 'sisters', and find the answer to who or what she really is.
I think the reason that we don't see these sorts of episodic books is because the idea hasn't caught on just yet. Plus, publishers are probably not sure how to market them.
Harry Potter by J.K. Rowling (7 episodes)
Sookie Stackhouse by Charlaine Harris (13+ episodes)
Hollows by Kim Harrison (14 episodes)
Dresden Files by Jim Butcher (17+ episodes)
Pendergast by Douglas Preston (17 episodes)
Dirk Pitt by Clive Cussler (21 episodes)
Anita Blake, Vampire Hunter by Laurell K. Hamilton (27+ episodes)
The Destroyer (remo williams) by Warren Murphy & Richard Sapir (85+ episodes)
Apparently the factors which cause people to think that episodic fiction is rare among modern fiction is...
An avoidance of the Fantasy, Mystery and Adventure sections of the book store.
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