: Re: Can a POV be from a baby? So, this refers back to my question here. In that question I asked if the prologue to my story (the prologue occurs 17 years before most of the novel) should be

I think it depends on how old your baby is. I have written quite extensively from the point of view of a toddler (interpreting what the parents do from his point of view, supposedly), but a baby does have a rather limited world view and ability to communicate and so I am not sure how you could make it work. That is not to say you can't.

As an alternative, include the 'prologue' as chapter two or three.

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: Re: Can a POV be from a baby? So, this refers back to my question here. In that question I asked if the prologue to my story (the prologue occurs 17 years before most of the novel) should be

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: What is a subplot based on: conflict or tension? I'm attempting to understand how subplots work, and one aspect has me confused. I'm trying to create a process by which I can create subplots.

: The protagonist is the character whom the reader wishes to win. Protagonists are usually the main character and the point of view (PoV) character, though this is not always the case. Some

: How to write dialogue where only some of the words matter? Occasionally in a novel, you have a point where there is dialogue, but only parts of it matter. You usually see this where the hero

: How can I establish the nature of a person/group without action? How can one establish the nature of a person/group to the reader without relying on actions to 'show' it? For example, if I

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