: Re: Survival fiction-Plane crash logistics In my book, five middle-school students are stranded in a desert when their small plane crashes. The pilot dies saving one of them, and there is no civilization

Five students, five different characters. Probably five different lengths of time to become aware of the seriousness of the situation. Some of them might never get there.

There might be a time when they all reach a collective interpretation, but the interesting writing (and reading) is going to be the conflict in views leading up to this.

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: How important is writing for games? I am trying to create a game that has a small plot (maybe more of a theme). The plot just describes why the characters are fighting each other. Other than

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: There are several ways to have more than one language in your world. Here are some ideas: Your characters might be conversant in more than one language. If your characters are high-born or

: Re: Survival fiction-Plane crash logistics In my book, five middle-school students are stranded in a desert when their small plane crashes. The pilot dies saving one of them, and there is no civilization

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: How important is writing for games? I am trying to create a game that has a small plot (maybe more of a theme). The plot just describes why the characters are fighting each other. Other than

: What are the risks and benefits of using humour in business/commercial writing? I know the basics here, and in technical circles it usually comes down to locking the Engineering Manager and the

: The convention is usually that the resolution of the story is the resolution of the mystery, but if you want the mystery to remain unresolved, what is it that gets resolved at the end of

: There are several ways to have more than one language in your world. Here are some ideas: Your characters might be conversant in more than one language. If your characters are high-born or

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