: You are correct. You should not let a good general rule override common sense and correct writing in a specific case. The best way to conceptualize it is this. Picture your analysis as
You are correct. You should not let a good general rule override common sense and correct writing in a specific case.
The best way to conceptualize it is this. Picture your analysis as traveling through the plot of the story as you analyze it. Anything that is happening in the book at the point of your analysis should be rendered in the present tense. But things that are in the past relative to the moment of your analysis should be rendered in the past tense.
In a way, this is one of the benefits of using the present tense as the main mode of your analysis --it allows you to distinguish between the current moment in your analysis and things that happened in the past of the characters (as relative to that moment).
More posts by @Kevin153
: Character pivots, where to put them Normally this sort of thing is easier than actually writing the piece for me but this time I can't get anywhere with the overall structure of the story:
: As the wagon bounced along the rutted road, Prax was objecting to Lis's notion that they should both run away to start a new life in the city. "I can think of seven reasons that won't
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