: How to get past the cringe factor of reviewing my earliest writing attempts? I’m currently working on a novel that I’m remodelling from an old fanfiction novel I wrote around 6 years ago.

You know your original story. My suggestion is to write a new story influenced just by your memory of the original story.

This way the bad parts of the original story won't break the new story. In addition, the old story was fanfic. I'm assuming that you don't want your new story to be fanfic. By not reading the old story again you can start a new story with new characters. And if you're anything like me, you still have the old plot in your mind.

Currently I'm writing a novel based on characters that I created in high school (45 years ago). Even if I'd wanted to reread the original stories, they have been long lost. To be honest, good riddance. The original stories I wrote during that time of my life were pretty horrible. What I'm writing now is much better.

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I was asked to edit a novel - because they knew I was familiar with the subject, (which is incredibly traumatic and wartorn). Even though the writing style was actually decent, it was still impossible for me to read as intended - because I was a little too emotionally invested.

So. I edited it backwards.

The last paragraph in the last chapter, the last in the previous chapter, ... all the way to the first. Then, the second to last paragraph in the last chapter, etc. etc. Its kind of cheesy - but it got me through it.

Also, I find that if I read "straight" I often don't see the missing "be verbs", "articles", etc. So, reading it backwards also helps me not miss so much.

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I am analytical by nature, even as I am writing new stuff.

My recommendation would be to make a copy and actually go analytical, as if it were written by somebody else (and it really was, you are a different writer now than you were then). I say make a copy because the purpose is to edit it and write notes. Do it in boldface or red or whatever, but when you come across something cringe-worthy, identify the problem, add a note or lesson at the beginning, and move on.

If your editor can open more than one file at once, copy the lessons (if they are new) into a separate file, and any passages you really like into a third file (with or without a note to recall the context and what you like about it).

While you're at it, you might extract a summary of the plot points; why you put in each scene. What it was supposed to accomplish (if anything), why you felt it was necessary. So in the end you have something like an English outline of what each scene and chapter in the book was supposed to accomplish.

You might want to accomplish the same purpose with your new work, even if written from scratch. Or rearrange or revise the outline to make better sense.

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There is an old book, Becoming A Writer, by Dorothea Brande, (still in print which indicates how popular it is) which does address this problem along with a great many others.

Brande was one of the earliest artist/authors to notice that there is a part of the brain which acts as critic which often tries to rip apart writing before the creative self can even get to the good parts.

In many people this type of thing leads to them not even being able to get the words down so you are far ahead of that and that is very good.

Author Provides A Process

In the book, Brande works you through a systematic way of addressing the problem through a series of challenges you provide to yourself to discover what part of the writing process you enjoy.

Separating Two Selves

Many researchers have discovered that the two parts of our brains work as a Team of Rivals to create a better targeting system : targeting in on the bulls-eye of your best writing.

Creative & Critic

In other words, the two parts of your brain, Creative and Critic work together to create your best writing, but there are times when you Critic will wrestle your Creative to the ground and smother her.

There are brain exercises you can do that will help you get into a state where you are more open and more able to quiet the critic so you can do your creative work.

I've gone through this myself and that book has helped quite a bit.

Focus On the Technical

Another thing that can help is understanding the foundations that make writing a challenge.

I believe there are two major challenges to writing:

emotional
technical

Emotional things wrap us up as we question ourselves with things like, "Am I good enough to be a writer? Who am I to think someone will read this? Why am I writing such crap?" etc.

It is at these times we have to literally turn that part of our brain off and only examine a sentence for technical value.

As You Focus On Technical, Emotional Fades Away

Make a list of things you are specifically looking for in each sentence and only examine the writing one sentence at a time.
Look for things like:

remove adverbs / use stronger verbs
remove unnecessary adjectives
shorten sentences where appropriate
try to watch the scene play out in your mind and then transcribe it
onto the paper.

Add items to the list which you specifically look for.
But, during this time only consider these things. Any time your mind attempts to just say, "this is crap" or whatever, insure you mindfully move back to working on the technical.

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