: Re: How specific should descriptions of settings/appearances be? Some people tell me there are not enough descriptions in my book, some say there are too much. How do you know how much detail is
Are the people who are giving you feedback pointing to the exact same descriptions? Maybe your descriptions are spotty?
Rule of thumb: My personal rule of thumb, I never like more than 1 adjective/adverb for any description.
Better yet is to make each description serve a second purpose. That way it feels beefier (like a more full description) without being a laundry list.
'A windy day' is one thing. 'Another windy day, and this time he remembered to pull his jacket out' is another.
This takes the description and gives it a reaction within the story.
'Brown hair' is one thing. 'Brown hair that matched neither his father's nor mother's' is quite something else.
Hints of a backstory there...
'Gravel road' is one thing. But, 'The gravel crunched under his feet. "dialog"' is another
It's now providing setting and a dialog action tag.
'The dappled, green and yellow light was everywhere.' <- three adjectives, clunky. Compare that to: 'Light, green and yellow, filtered through the leaves.' <- Same info, dappled is now expressed as an action of the light, and provides a stronger verb than 'was', and the adjectives are reduced to 2. I like the second option here, better.
You can play with your descriptions to address a few writing issues. In general, double duty on the wording goes a long way for the reading enjoyment, at least in my opinion.
Edit: I think what you want is "the telling detail." Here's another link.
I think you want the one specific thing that puts the reader where you want them to be.
I could just vaguely describe a forest in a way that sets the desired
mood and leave most to the reader's imagination, or do I need to
describe the colors, textures, desnity, etc. etc.
I would never describe the colors, textures, density - But I might say that I was in a forest straight out of Hansel and Gretel.
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