: Re: Listing character traits I wonder if when talking about characters (in a book with a third perspective narrator) one can list their personality traits. I realize how that might be taking something
Character traits should be seen. Absolutely. Being told that someone is smart isn't enough - he has to use his brains. However, can you sometimes tell rather than show traits? Let me show you some positive examples:
"This hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him." - The Hobbit, J.R.R.Tolkien
Tolkien sets up an image, establishes Bilbo as being a certain kind of character. This image is important because Tolkien then proceeds to topple it over: Bilbo obviously does go on an adventure, and does quite a few unexpected things.
"Glorfindel was tall and straight; his hair was of shining gold, his face fair and young and fearless and full of joy; his eyes were bright and keen, and his voice like music; on his brow sat wisdom, and in his hand was strength." - The Lord of the Rings, J.R.R. Tolkien
Glorfindel is a side character. We never really get to see him fearless, joyful, wise and strong. At best, we get a glimpse. So we might as well be told. However, the description doesn't merely serve to tell us about Glorfindel: it sets the mood for the scene, tells us what kind of people are gathered around Elrond's table. Glorfindel is an example.
Note also the language. Compare "Glorfindel was smart and strong" to "on his brow sat wisdom, and in his hand was strength". Compare "Bilbo was a rather boring person" to "you could tell what a Baggins would say on any question without the bother of asking him". It matters how you choose to describe character traits.
More posts by @Sent2472441
: What is the spectrum of 'disasters' in 'scene-sequel?" I'm looking at my project through the lens of the 'scene-sequel' model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My
: Writing diversity I am writing a military sci-fi novel about an international military force facing aliens. My cast is very diverse: the MC is Yemenite-Israeli, his love interest is German, his
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.