: Re: How do you assess the value of an individual scene? Authors need to understand which scenes in their stories to cut in order to help the reader enjoy the story best. Knowing what works for
So, the question is, how reliable is the advice: If the reader doesn't need it, cut it. If the scene doesn't progress the plot, cut it.[emphasis added]
I think you are conflating "needed" with "related to the plot." Here's some examples of material that may be critical to a story but not directly plot-related.
It may relate to an important sub-plot, e.g. progressing the story of Kenobi passing knowledge to Skywalker.
It may relate to critical character development, e.g. the setup of Solo as an mercenary whose personal story (his progression to pro bono heroism) must resolve for the main plot to resolve.
It may act as setup for a callback later, e.g. the setup of Solo as an atheist would later be called back when he bid Leia "May the Force be with you" during an emotional goodbye.
It may be part of greater narrative, e.g. the longstanding relationship among wookie and droids, which spans many of the films.
It may serve as setup for the next scene, e.g. morphing levity into forboding as the protogonists approach a particularly dangerous area.
It may serve a specific marketing purpose, e.g. if a stakeholder in the production hoped to merchandise themed chess sets.
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