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Topic : Re: How can I convey an absolute truth from the author to the reader without a mentor character? There are sometimes moments in works of fiction where the author needs to convey something to the - selfpublishingguru.com

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Here are some that I would consider using, in addition to the two you mention:

Define the character as very literal. In stories like Extremely loud and incredibly close we learn that the boy is autistic and see the entire narrative through that lens. You can define your character as someone for whom experiences are to be taken at face value. I would probably choose this approach.

Or. Allow it to be a dream ... and work the actual truth to fit into the dream. In The Life of Pi, we don't know if the entire story is true or not, in fact we believe that it is, It is only at the end that we realize the true story was something completely different. Yet, through that, a greater truth was communicated. This is in some ways opposite to what you are saying, but I think it could be worked into a useful format.

Or. If you have multiple limited points of view, in a separate part of the story with separate characters, make it clear that the core item you are concerned about is communicated in a believable way. Then when it shows up 'in a dream' (or however it shows up), the reader will know that the important thread was already demonstrated as truth.

Maybe - Introduce dreams earlier with a defining characteristic (a rule of your world) and be certain that detail is clearly presented in the 'truth' moment as 'not dream.' This was the trick used in the movie Inception.


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