: World Building critique: Building an SF society off a tangent of "Adaptation" I'm writing a short story for my english final - I'm a junior in high school; we've already taken our AP exam,
I'm writing a short story for my english final - I'm a junior in high school; we've already taken our AP exam, but our teacher wanted to finish the year with something meaningful.
Anyway, I have been jotting some notes down on a phenomenon very personal and familiar to me. I would like to express this in the form of a short-story. I think it would be excellent practice for me as a writer to produce something both creative and insightful. And of course, make it enjoyable to read!
I would like feedback for my world-building work; I've described my complete process and the outline I've produced so far. What do you guys think of this world I'm thinking about? Really my only concern is that it resembles some already renowned literature (1984, for one). Do you think what I have going so far is a good start?
The unit I need to respond to is adaptation. The thing is, we can choose to respond in any way we see fit. So, taking the word at face value and applying my own experience has resulted in me noting the following:
Lack of purpose => Apathy => Failure
to adapt => Vicious cycle
Message: With no ultimate purpose,
one enters a vicious cycle where
apathy replaces drive - and an
inability to cope with this newfound
apathy spawns more apathy rendering
one a hollow shell of one's former
self.
Life becomes a game. Not your game,
but a game in which you let yourself
become the controlled.
Going through the motions the way life
is supposed to be "played".
Origin of the lack of purpose?
Is it effected as a result of society?
Or, if entirely void of society
itself, would a lack of purpose still
be prevalent?
Next, I attempted to construct a world that would facilitate the delivery of such a message:
Time Period: Post-Nuclear Holocaust
(in the not-so-distant-future)
Setting (specifically): A
totalitarian society (founded by the
Great One [Magnus] Post-Nuclear
Holocaust to prevent the "tragedies"
of Pre-Nuclear Holocaust society)
[Opatia] advocating free choice -
paradox? With overstimulation,
rejection and dissent ensues. Leading
us to our protagonist.
Protagonist (Salim): Overwhelmed by
so much freedom causes him to lose his
mind. Additionally, he sees through
the façade of freedom that Opatia (and
Magnus) advertises. He understands
that in reality Magnus is a corrupt
leader who uses his control over the
Opatians to gain capital in the
still-existent "real world".
Narration: Third-Person Omniscient.
Allows reader to be privy to the
thoughts of others besides Salim.
This also facilitates occasional
blatant theme poundings.
Tense: Present. Past (although also
implying a story worth telling) in my
opinion implies an afterthought.
Present tense also effects reader
suspense if solely for entertainment
purposes (Ã la Amusing Ourselves to
Death).
UPDATE:
Here is what started out as a description of Opatia, but turned out to become a general overview of the short-story:
Opatia is a realm devoid of natural
life. It is founded on irony.
Despite claiming to protect its
citizens by granting them “libertyâ€,
it revokes them of this very promise
through a strict and brutal
totalitarian regime. Its endless
choices (in the very few sectors where
choice is provided like job
“opportunitiesâ€) lead to a massive
decision that must be made at an early
age (satirizing the current
educational system). Additionally,
once one selects a job, one must keep
this job for the rest of his or her
life with nothing but a mere
superficial promotion as an incentive
to continue one’s work; this further
negates Opatia’s claim of choice and
liberty (further satire). This all
becomes too much for Salim, and living
within these constraints becomes
unbearable. Unable to creatively
express himself, (a fundamental
impossibility considering what Opatia
demands with its concrete definitions
of jobs and lifestyles) Salim must
either conform, or rebel and sacrifice
the inevitable rejection he will face
from both his peers and society as a
whole, especially, Magnus. Salim
decides to live a life of quiet
desperation where his former youthful
passion and energy is replaced by
apathy (must show Salim’s dynamism in
order to achieve this effect; perhaps
time period shall range from Salim’s
adolescent period to early adulthood).
After some time so bogged down with
his own cognizance of his failure to
adapt, his situation once again
becomes unbearable. Therefore, as a
result of his cognitive dissonance - a
mental breakdown (and possibly
ultimate suicide) ensues.
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Given your paragraph description, I have to admit to being somewhat unconvinced along a few points.
You set up a direct connection between the regime's oppressive control of its citizens and a lack of purpose, but I think you need to nuance that connection more closely. The currently much-analyzed phenomenon of the quarterlife crisis among middle and upper-middle class American 20-somethings and all the talk of emerging adulthood surrounding the same group provides a strong argument that an undirected, unconstrained ability to choose anything actually leads to a lack of purpose. Some amount of constraints - in the form of societal expectations or religious beliefs, for example - can be essential for some in finding purpose. Your initial notes for world-building included the idea that your protagonist is "overwhelmed by so much freedom causes him to lose his mind." That idea is different than what your paragraph conveys, and I think you need to nuance the final product to include an interplay between the two ideas.
In other dystopian works in which totalitarian regimes control the day, the hero(ine) often finds his or her sense of purpose in opposing that regime. Because that is the literary expectation set up by books such as Fahrenheit 451 and Brave New World you may need to work on providing a convincing reason for Salim's apathy. Is it a weakness of character (something that can be written to make him extremely easy to empathize with)? Is it the sheer brutality of the regime? Is it the lack of any peers who will stand with him? Why won't he fight his situation, which fight would actually provide the sense of purpose he craves? This central tension here is what makes the story potentially extremely fascinating, but so far I haven't seen how you'll tease it out.
Many thinkers, from the authors of the Jewish Bible (see this part of the book of Joshua and this section of Psalms) to those of the Christian New Testament (see this section in the book of Matthew) to modern writers such as David Brooks and even some advice columnists point out often that the best way to find a sense of purpose is not within in expressing one's own creativity but to look outside. People tend to feel better when doing things for others, when they feel like they are serving gladly. What keeps Salim from finding purpose in doing things for his family, friends, or true love? Is it selfishness? Is it the entire social structure stacked up against what he feels is his true calling? If Salim's purpose is simply self-expression it's going to feel weak. If you show a struggle to either find a purpose in a purposeless society or express a purpose when the odds are too great, it'll be more compelling.
Looks like there are some interesting ideas here worth honing, but the philosophy has to be something the reader will identify with. I think you're well on your way there.
Also, on your note on tense, you would be well advised to read up on this discussion on present versus past tense. A lot of modern fiction is being written in the present tense, and there has been some backlash against it when it is not done well and for a good reason.
I think that the "lack of purpose" is a welcome mindsed of our civilisation. (At least, thought mainstream is declaring it.) Those who feel an urge to be trumpeting out that "there is no purpose" do not seem to be apathetic. So I am afraid that your setup is a little bit unlikely.
But I must admit that someone who is forced to accept the "no purpose" mindset sometimes feels unbearable discomfort. This can lead to various (negative) results in their minds.
It should help to become familiar with some fiction (and non-fiction) literature dealing with nihilism, particularly with "existential nihilism" (e. g. F. M. Dostoyevsky, J. P. Sartre, A. Camus, P. K. Dick).
Don't worry about "it's been done before." Your goal is to do it your way, and never mind what anyone else has done.
Your theme (Lack of purpose => Apathy => Failure to adapt => Vicious cycle) is interesting, but I'm having some trouble connecting it to your précis. How does "too much freedom" equate to "lack of purpose"? I think linking it to "Amusing Ourselves to Death" is closer to the mark — "too much entertainment with nothing to strive for," like the Buy 'N' Large folks from WALL•E (taken seriously rather than for laughs).
I don't think having too much entertainment would cause the protagonist to lose his mind. Lose his will, perhaps. What I would focus on is the spot between three and four: why does everyone in the society have no ambition, no competitiveness, no ability to come up with their own life's purpose? Why is "life purpose" an outside force imposed on the individual, which when missing is not replaced by an inner drive?
You also call it a "newfound apathy," but if everyone in the society is choked with ennui, then it's not "newfound," it's the way things are. You're not describing people who used to have a purpose and now don't; you're talking about an entire culture of slackers. That's not a vicious cycle.
I think your story has potential; I'm just picking some nits which I think need work. :)
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