: Re: I feel my protagonist is too "detached" from the main plot. What should I do? Here's a summary of the plot: The main character goes to a mountain to visit his half-sister. He hasn't seen
First question: how does the story end? If you know what you're obtaining, that should make the journey easier, as well as give you an idea of what you're doing with the main character.
Second question: What does your main character want, and how is he getting blocked? Reading the synopsis, I don't get a feeling that your MC has a personality, let alone goals, wants, or desires. He comes off as a blank slate that only exists, not someone that's exercising why he existence.
Third question: What factors impel your MC into action? Is the sister dying? Is he scrambling to find a cure? Is he covering up something? What's driving him to do what he's doing?
Without a clear sense of urgency, your MC isn't going to feel like someone to care about, and without a history, your MC will be the literary equivalent of a RPG character doing side quests.
More posts by @Debbie451
: Convergent, parallel plotlines okay? So I saw Over Plotting My Story this morning, and I thought "Am I making the same mistake?" If so I'd rather fix it soon than later. I then did a search
: What's a dramatic way of dressing the following scenario? Three characters, Alan, Bob, and Charlie. Alan and Bob are talking in depth about Charlie, Bob says something about Charlie being off-the-charts,
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