: Re: Dialogue from a distance How do I indicate dialogue 'from a distance'? Two characters and riding down a field on a quad bike, one asks a question of the other, who answers. They're visible but

Get The Screenwriterâ€™s Bible, it's the go-to for questions like this.

I've only studied screenwriting (I'm a novelist) and I've never sold one. But I would argue that you are trying to direct the scene, which is a no-no with screenwriting. Directors don't like to be told how to shoot their scenes.

Unless you have some absolutely crucial reason for why their lips must not be visible in this scene, I would write it like:

A grassy field extends to the horizon. In the distance, Bill and Ben ride quad bikes.

BEN
Dude, this is awesome!

BILL
I'm pooping my pants, man, quad bikes scare the crap out of me.

It's up to the director (and dictated by a number of factors like, the terrain of the location, the camera equipment available, etc. etc.) to decide how your scene is shot and whether to film them at a distance and use voice-overs or pan in for a close up.

But if you have good reason for directing how your scene should be shot, it may be worth editing your question to include that information.

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: Re: Dialogue from a distance How do I indicate dialogue 'from a distance'? Two characters and riding down a field on a quad bike, one asks a question of the other, who answers. They're visible but

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: This is an interesting question and, personally, I think the answer can only be found within your novel (as I think you've already discerned). The problem I have with the Writerâ€™s Digest

: Is there a term for 'The Secret Garden' and similar works? For some time now I've been curious about how to classify a small group of literary works. They include The Secret Garden, Polyanna,

: What techniques do you use to maintain your writing focus and maximise your productivity? How do you keep writing no matter whatâ€™s going on around you? How do you avoid the distractions of

: Overcoming "Possibility Paralysis"? I don't often experience writer's block these days. Instead I struggle with a different sort of impediment in my writing: I call it Possibility Paralysis. I

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