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We have several questions on beta readers, including this one on how writers can find beta readers. How does it work from the other side? How can a non-beta reader make the "jump" and start beta reading?
There is a question here on how someone who is already a beta reader can improve their beta reading skills, but that's a different kind of opposite to my question. If a person more-or-less already has what it takes to be a beta reader but they lack the social connections (e.g. they are unknown to writers, don't have provable experience, don't have any letters at the end of their name, etc.) to get that first beta reading opportunity, how, generally, can that be overcome?
Are there any best practices for getting "spotted" as an up-and-coming beta reader?
Should one attempt to join and lurk around writers' groups, and, when asked, say that one is there to become a beta reader?
Should one become a writer and gain recognition as such as a necessary prerequisite to qualifying as a beta reader, even if writing is not one's goal or interest?
Is there a formal qualification to earn that signals to writers that one is ready to start beta reading (e.g. a degree, diploma, certification, high score on a literacy test, etc.)?
Are there organizations that one can apply to to be matched with an aspiring writer?
This is not intended to be a primarily opinion-based question, at least not any more than the questions we have here already about finding beta readers. I'm asking about best practices, or typical practices if best practices do not exist.
If it is essentially impossible to become a beta reader of one's own initiative (e.g. if initial beta reading opportunities for readers with no beta-reading experience are typically only given out to people who find themselves in the right place at the right time, and identifying how to locate the right place and identify the right time is essentially impossible), that's an answer.
If the best practice differs by genre, that's also an answer. E.g., "If you want to beta read romance, call this number for placement. If you want to read SFF, call this other number. If you are primarily interested in mystery, you need to pass the National Advanced Examination in Mystery Literature with a score of at least 80%. If you want to beta-read children's books, you need to be a licensed public school teacher, school librarian, pediatrician, or child psychologist."
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Great question!
A great difficulty here is that there's not really much in the way of "professional beta readers." Someone who's really known for giving excellent feedback, and offers that as a service, is pretty much an editor of some stripe.
So aiming to become "well-known", "popular", or "respected" as a beta reader might not be in the cards (although it's not impossible!). And turning into something paid is... well, it's really hard, because it's asking people to trust and pay you, in an area where it's really hard to Show Your Work, and where you've got a lot of competition that's a lot safer.
But you can certainly become a good and busy beta reader. And that's pretty darn doable.
Beta-Read on Online Workshops
This is something anybody can do. Sign up to Critters, dive into Absolute Write, check out Scribophile -- all of these give an endless supply of material to beta-read. Some of them have even more: community, social connections, and/or guidance on becoming a better beta.
There is a catch: this is mostly going to be amateur work; often painfully so. For two reasons:
Most writing is amateur work. There are a lot more people who want to be published authors than people who are published, so you're going to have a lot of very unpolished material.
Pro authors level themselves out of the big general slush pool pretty quickly. Basically, you find five people who (a) you get along with, (b) are happy to beta-read on occasion, and (c) you find helpful -- and you never have to enter the crapshoot of an online public workshop again.
BUT. If you're just getting started, then working with amateurs is great. It will let you learn. You'll be finding your feet, learning your own taste, and figuring out how to give feedback that's helpful, constructive, and clear.
And, the fact that most of the work will be amateurish, doesn't mean you won't find absolute gems. I certainly have.
Establish a Niche Where You Can Form Connections
If you are active in any community that's even partially related to writing, you can often do really well by making connections within a small, focused group, that would be much harder if you were just hanging out your shingle for anybody in the world.
If you have any particular hobbies or fandoms, some of those people probably like writing. If you are, as so many of us are, living in a particular geographical location, there are probably a whole bunch of writers nearby. Maybe they go to the library; maybe they already have critique circles you can join.
What's nice about these is that they're personal connections that last much longer than the critique of any one manuscript or story. Make a good connection with one writer, and you'll probably get to beta-read a whole bunch of their work. You'll be friends on social media, and see when they're looking for readers. When other people are looking for readers, your friend can point them to you. Actual connections get you far.
Hang Out On Bookish/Writerly Social Media
There is so much of this, and being involved will drop opportunities in your lap. People who need beta readers will ask for them -- and you can volunteer.
Follow authors you love. Follow authors who say interesting things. Follow newbie authors writing about being a newbie author. Join social media groups for writers. I've gotten a bunch of really interesting reads, just by following some awesome people, who pointed me at something interesting that one particular time.
Consider Slush-Reading or Reviewing
Neither of these are the same things as beta-reading. But they will work on the same muscles, and they'll also put you in the right arena -- meeting writers, establishing a reputation.
Slush-reading means reading unsolicited short story manuscripts for a magazine, and writing up comments to the editor. It's much briefer and coarser-grained than beta-reading -- but it is evaluating manuscripts, and even working with an editor (to some degree). Check out magazines (especially online magazines) in fields that you like. See if they're open for applications.
And reviewing -- anybody can open a blog and start reviewing. Gaining an audience is much harder. But you can start out for practice, and to build yourself a little online home-base. And, you might consider looking for existing, established sites which publish reviews. Again, a review is very very different from a beta-read -- it's aimed at the readers, or at prospective readers, not at the author -- but it's still a very helpful skill to develop.
Talk About Beta Reading
Let people know! Tell friends and followers that you enjoy beta-reading, and that you'd love them to send material your way.
Especially tell this to writers you beta read, and especially the ones you enjoyed working with -- they're likely to write something else next, and you'd love it if they went right to you and wanted your feedback.
I hope this helps make sense of things, gives you a sense of options, and offers some concrete things you can do next. All the best!
my name is Robert and I'm an Beta Reader. This answer is based on my experience.
I started cataloguing my books (the ones I owned and those I intended to read) on Goodreads in 2013. Since then I have consistently recorded and reviewed each book that I have read. I had only started reviewing for a short while before I started to receive requests to review books in return for a free copy.
I am happy to do this because, duh - it's free books, but also because I like to explore different kinds of fiction, and what better way to do this than to read new and up-coming stuff.
I would say that the only qualification you need to succeed as a beta-reader is to be enthusiastic and wide-ranging in your reading habits and to be capable to putting together a decent (constructive) review. It also helps if you're willing to post that review in as many places as possible (with Goodreads and Amazon being top of the pile).
Good luck going forward, in all your endeavours.
There is no such thing as a "Road to Beta-Reader". In most cases I like multiple views and feedbacks as much as possible.
The main audience of your novel would be the average person from the street, that goes in the Bookstore and wants to get a new book to read. So primary my feedback should be from persons in that audience.
If I want to get feedback for my writing style, unlogical parts or just to assure the scene has the effect I wanted, I would tend to a mix from the main audience and writers.
Beta-Reading is simple said: You pre-release your story to a small amount of people, that then gives you feedback. So basically, everyone who reads is suited to be a beta reader.
I expect established authors have the readers they need.
But I think you could easily volunteer your time to beta read for a new author looking to break into the business.
Try meetup.com for groups which specialize in writing. You will find 'real people' that meet every week - month, and you can take a sample of your work and also critique other people too. You'll hear what the other folks say and generally get a sense of the sorts of things that are useful to feed back to writers, and not useful.
A few online groups include critters.org, writers.com, and absolutewrite.com. The last of these has a forum topic that is titled "Available beta readers." you could easily join and put your background there. Let's say you are a candy maker. Someone writing a mystery that takes place in a chocolate factory might want you to read their story.
I think this will depend on what you want to do and why you want to do it. Is the goal to read good work early? Is it to do something else? Eh? For most authors they want someone they have a relationship with, not a rando on the internet. Why? Because they're giving away their livelihood for criticism and that is both personal and financially risky. So, you're basically asking "How do I not be a rando?"
Published authors tend to have communities (forums or something else) where people gather. I have heard of authors picking people from these places, but how you climb the ranks is likely as unique to each author as their written word. Occasionally authors will form relationships at cons or via correspondence. But, and lets be frank here, most published-famous authors aren't looking for that kind of person. Fame attracts weird people and makes normal people weirder than they might otherwise be. So, this road is hard, but possible given enough time-investment.
Luckily if you just want to be a beta reader for anyone who wants to improve that's easy enough. Writing groups don't require that everyone who joins them writes. In fact, every group I've been a member of has had readers that were writers that have slipped into the other role. As long as you can give good comments and criticisms most writing groups would likely welcome you into their arms; "Most." You can find those easily enough. Don't be surprised if you get a raised eyebrow.
There are also communities online. There's a website I won't name because I'm not sure I feel very good about it that a bunch of people who have "given up" on a book post their work to and/or practice on where the goal is to get critiques. (My problem with the site is that makes the argument people should go there to get better, but simultaneously makes an argument to readership that they shouldn't buy books, but instead get them for free. Snake eats itself // no more money for writing. But it does exist and you could probably help someone who wants the help.)
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