: Re: Creative Non-Fiction - Writing without Plot, Story, Characters, or Ending I've just started reading Fever Pitch by Nick Hornby and it strikes me, when reading about his obsession with Arsenal

@Kristi637

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It seems like your idea does have all the components of a story. You have a main character, you, and a plot, your obsession with words affecting your life. Even if it seems like you don't have a story because a lack of a concrete, prototypical plot/character arc, you've got one in hiding. Given this, there are several approaches you could use.

1. A series of anecdotes (as you've pointed out).

The key to this approach is selecting the right anecdotes and placing them in the correct order to create an arc. It may start with you as a child, obsessing over poems, moving to you as a teenager losing sleep while reading/writing, and ending with you as an adult writing this piece. Even if it seems like that doesn't have a plot, it does. There's a character developing as the story progresses in time. Your job as a writer is then to connect these seemingly unrelated events by injecting tension, character depth, and release.

2. A series of vignettes.

This has the advantage of flexibility in ordering if you make them vague enough. You could potentially order the anecdotes or stories from most to least egregious examples of your obsession, allowing you to create a buildup in tension, a climax, and resolution.

3. Make up a plot to tie together your anecdotes.

Last (and certainly not least, I'm sure there are plenty more ways to go about this project), you could insert a plot, even if in real life it wasn't there. This strays into creative fiction, but it does allow for a more traditional story structure than just a series of anecdotes. Take your anecdotes and tie them together with a more concrete plot. Maybe your obsession with words as a child leads to a drug addiction as an adult (even though this didn't actually happen). This is the "based on a true story" type of project, and could potentially be a lot of fun given your main character is so closely tied to your real self. This approach is about creating a coherent plot, not finding one as the previous two imply.

I'd recommend starting by writing your anecdotes without an eye to a larger story. You may see a story developing in one of these areas as you write your anecdotes. Or, if one of these sounds like an interesting direction, jump right in. In any case, you'll be leveraging your real life experiences to create a story. The creating is the important part; even non-fiction writers must inject some kind of narrative into their work whether it's about Abraham Lincoln or a description of bumblebees. The key is picking up on, or creating, a latent plot hidden beneath what you may consider to be random or disconnected facts/happenings.

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