: Re: How to pitch TV show with a 'hook' when have a complete bible and treatments? So, I have a TV show I have been writing and will finish soon enough. I have been working on this for a long

I know we don't like link-only answers, but pitching and finding agents in the film industry is far more than can be told in an answer on this forum.

I highly recommend you look into the courses offered by Stephanie Palmer; author of the book Good in A Room, a veteran of the movie and TV industry. She has detailed courses available on all of this. I do not know her personally and have zero stake in any of her enterprises; but I have tried her instructions and like them. Everything from what the producers WANT in a script, specifically your goals in a pitch, what NOT to say, etc. Unfortunately (for me at least) this typically takes a great deal of social interaction, and if you find an agent they can't do it all alone.

Good luck.

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: Making conflicts based on misunderstanding So, the problem is that I can't make conflicts based on a misunderstanding that wouldn't resolve in five paragraphs. My chars are too smart for that,

@Welton431

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: How to defeat a strategic mastermind without throwing the idiotball? My antagonist is a "strategic mastermind", similar to the one discussed in How to prevent seeming like a Marty Stu-ish villain

@Welton431

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: You are providing too much detail, and it is confusing, and therefore boring the reader. What you need to do is write the take-away consequences of these exchanges, forget the verbatim of

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: Reporting Satterthwaite approximated degrees of freedom (APA 6ed) Is there any established way of reporting approximated degrees of freedom (be it Satterthwaite or Kenwardâ€“Roger) for mixed-effects

: Re: How to pitch TV show with a 'hook' when have a complete bible and treatments? So, I have a TV show I have been writing and will finish soon enough. I have been working on this for a long

More posts by @Welton431

: Making conflicts based on misunderstanding So, the problem is that I can't make conflicts based on a misunderstanding that wouldn't resolve in five paragraphs. My chars are too smart for that,

: How to defeat a strategic mastermind without throwing the idiotball? My antagonist is a "strategic mastermind", similar to the one discussed in How to prevent seeming like a Marty Stu-ish villain

: You are providing too much detail, and it is confusing, and therefore boring the reader. What you need to do is write the take-away consequences of these exchanges, forget the verbatim of

: Reporting Satterthwaite approximated degrees of freedom (APA 6ed) Is there any established way of reporting approximated degrees of freedom (be it Satterthwaite or Kenwardâ€“Roger) for mixed-effects

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