: How much agency should main characters have in the plot? I have two main characters. Character A is more prominent than Character B. I've been trying to tease out problems with the story

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In my opinion, your story would be fine, and readers would be fine, if your characters exhibit a significant amount of agency once and early.

If the hero (and sidekick or whatever) chooses to subject themselves to a harrowing experience that lasts the entire book, and this choice is real (not a "your money or your life" choice), then what follows can be coerced.

In the Hunger Games, Katniss makes a choice: Take her sister's place. She could legitimately have held her tongue, but out of love she chose to risk her own life instead of letting her sister march to almost certain death. That's a real choice that showed agency. After that, it's fight or die.

The same could be said for McClane in Die Hard (Bruce Willis). He could have left the hostage situation to the police, but chose to risk his life to save his wife and two daughters that were victims. After making that decision, for Katniss or McClane, future "agency" is pretty much in never giving up no matter how bad it gets.

Your story can be similar, just be sure you engineer the situation so the characters make one real choice in the beginning. Even if it seems a little coerced by love (like both Die Hard and Hunger Games), make it a decision against orders, wise advice, the law or the Expected Norm in their culture (as is true for both Die Hard and Hunger Games).

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I have heard it stated as a fact on a number of occasions that people in general
only make two serious decisions per year, the rest of the time they just go with the flow. Most of the time life happens and people do their best to get through it. Assuming that all these people are in fact more or less correct and depending on the time scale of the story; the characters having made their decisions and the story covering them riding out the consequences of those decisions is not unrealistic.

Alternatively if characters can't or won't make decisions fast enough then they will lose agency, a case of "if you don't make the decision the decision makes you" and/or "he who hesitates is lost". If the pace of the piece is slightly frenetic then a certain lack of agency is to be expected as the protagonists are "overtaken by events".

Characters can be very active while not actually having a lot of plot control if they're reacting instead of acting, the example that comes to mind is the Nightside novel Sharper than a Serpent's Tooth by Simon R. Green. There's a plan at the very start of the story but by chapter two or maybe three that's a happy memory and the rest of the book is a series of ill-conceived responses to the latest obstacle, the protagonists don't really make any decisions they simply do what they think they have to to keep moving.

I some of that helps.

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It is difficult when we do not know the plot.

But the fact that you have asked this question at all suggests that you know there’s a problem with your story. And I would say, yes, you probably are doing them a disservice.

The problem with characters who lack agency is that they don’t drive the story, and characters who don’t drive the story often come across as dull and ineffectual (not that I’m suggesting yours are, I’m just highlighting a possible danger).

It’s okay for an event to happen to a character without them having any agency over it, but they must react and make decisions based on that event. Their reaction as a result of that event or dilemma should then be the driving force for the next event in your story.

Read this article for more information on this:
www.advancedfictionwriting.com/articles/writing-the-perfect-scene/
And for further detail, the book this is taken from:
www.amazon.co.uk/Techniques-Selling-Writer-Dwight-Swain/dp/0806111917
It is hard to write in this way, alternating scenes/chapters between goal/conflict/disaster and reaction/dilemma/decision but having written one novel where I didn’t do this and one where I now have, the difference is startling in terms of how engaging and readable the characters are. It makes for a far more interesting read than a story where events simply wash over your characters like waves, bobbing them around like lifeless objects.

Good luck!

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Whoever is telling the story should have the most agency. If Character A is the narrator, then everything should be written in terms of Character A's point of view. After all, people can't read minds. They only know what's in their own minds.

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