: How do Red Herrings work? The more distractions you have in your narrative, the fresher the plot/character twist. They were used in ‘The Da Vinci Code’ and the Harry Potter series, to keep

Surprising, yet inevitable

The perfect plot twist should be one that the readers do not expect, but makes them feel that the plot makes more sense happening this way than if it happened any other way. A good example is the scene at Mt. Doom in Lord of the Rings.

(I realize it's Lord of the Rings, but I'm spoilering it anyways)

Nobody expects the heroes to overcome all of their trials and tribulations only to have their willpower fail at the last critical moment. But considering how worn down Frodo is and how powerful the Ring has become, it makes perfect sense for him to succumb at that moment.

And Gollum's intervention wraps up the theme from the very beginning of the series about whether or not Bilbo's mercy in not killing Gollum was the right choice or not, and gives a satisfying conclusion to Gollum's character arc.

For red herrings, this has two parts. It means that what actually happens must make more sense than what the readers expected would happen. And the clues that misled the readers must have a satisfying explanation for their presence.

For example, in the first Harry Potter novel

The reveal that Quirrel is the villain explains a number of details - his presence at the Leaky Cauldron, his discovery of the troll on Halloween, and his abrupt personality shift after his trip to Albania.

Additionally, the clues regarding Snape's intentions are explained by his attempts to head off Quirrel's plan, and his genuine dislike of Harry.

The trick is to hold back some of the necessary information without letting the readers know that there is a gap in the readers' knowledge, while at the same time dropping clues to what's actually going on without drawing any attention to the significance of those clues.

No twist will surprise everyone

Because a proper twist needs to be an entwined part of the story, no twist is going to surprise everyone. That's okay. The satisfaction of being able to correctly predict an unexpected event is generally just as fulfilling as the surprise of not predicting it.

Don't let the twist itself make or break your story. It's the consequences of the twist that are important rather than the surprise itself.

To use the first Harry Potter as an example again

The twist itself was that it was Quirrel, rather than Snape, who was evil. The consequences were that Voldemort was present right there on the back of Quirrel's head, and that Snape was not a generically evil minion but a significantly deeper and more complex character.

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