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: I could be wrong but if you're going to avoid telling the audience in an aggravating info-dump you can't introduce a rich complex setting in one chapter, you have to bring in specific details
I could be wrong but if you're going to avoid telling the audience in an aggravating info-dump you can't introduce a rich complex setting in one chapter, you have to bring in specific details when they become relevant to the characters. The city is a mess after a major attack, so where do your characters live? A bombed out apartment building. The city is sealed off, mention the lack of [insert goods here] when the characters need something. They go down to the harbour for a change of scenery, the menace of the navy blockade spoils the mood. Little details, added regularly, build up the setting and give the reader a complete vision of the characters' life and situation, this is a process that can't be rushed.
You should have a list of the details you need in the setting or a clear sketch, if only in your head, of the scene you want to set, check your actual written work against this regularly, it's easy to get off track. You may find that where you went when you do get off on a tangent is better, be aware of that possibility too.
The answers to this question about avoiding info-dumps may also be of use to you.
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