: Re: 'The Chosen One' paradox In many books novels or other forms of fictional writing, the reader is introduced to a so called 'chosen one'. This character or being is of higher power or in general,
The book Un Lun Dun is an exploration of this concept; the Chosen One said to save Unlondon basically never lives up to the pressure of being the chosen one and ends up being out of commission by the middle of the book. She becomes amnesiac and her best friend Deeba, who remembers, returns to Unlondon.
Deeba, in making the choice to return and try to save Unlondon out of her own free will becomes the Unchosen One, a fitting hero for Unlondon. The Chosen One trope is readily being subverted in that having destiny alone motivate a hero is more readily being pointed out as not enough.
These days, a hero needs to be motivated out of purity; my favourite renditions of the Chosen One trope is where the hero has an established track record of selflessness and doing the right thing before being revealed to have a great destiny.
In other words, I think the resolution to the paradox is that the Chosen One can become Chosen by making himself a damn choosable candidate by destiny.
More posts by @Eichhorn147
: At the moment, your suggested dialogue is very dry. Every piece of dialogue should ideally serve one of two purposes: 1: Move the plot forward. 2: Expose something about a character/their relationship
: They must have dialogue each day, or, they must dialogue each day? Which is correct? They must have dialogue each day, or, they should dialogue each day?
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