: Re: Is it bad if I sidetrack to a backstory that’s not really necessary but is interesting? My story is about two children and one of them dies in the first chapter. I give a four page backstory
it is unnecessary but very interesting.
For a story reader, unnecessary and interesting are exclusive. Either make it necessary and interesting or remove it.
Orwell's third rule to effective writing applies to passages:
If it is possible to cut a word out, always cut it out.
More posts by @Eichhorn147
: At the moment, your suggested dialogue is very dry. Every piece of dialogue should ideally serve one of two purposes: 1: Move the plot forward. 2: Expose something about a character/their relationship
: They must have dialogue each day, or, they must dialogue each day? Which is correct? They must have dialogue each day, or, they should dialogue each day?
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