: Re: Do Science Fiction Stories Follow A Particular Pattern? I recently started writing a book expanding myself from my typical fantasy genre into SciFi. I have taken a start however I have reached

Classically speaking, science fiction explores the ramifications of some piece of future technology. But these days you can find science-fiction versions of plotlines from every genre. In practice, this means you can use any structure you want. If you want to write classic science-fiction, however, you should make sure it all goes back to the tech.

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: "the antagonists are all irredeemably evil" that causes me issues, people, real people, are never all of one thing. Part of showing that the protagonist is human is showing that those he opposes

@Sarah872

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: I would credit the actor but not their role if that's possible, credit them by name as part of an "and others" section for the parts with no lines. Or maybe disguise their role, instead

@Sarah872

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: Early investment in a character who "learns better" I'm looking for ways to build early reader investment in an unlikable character who "learns better," but not until fairly late in the book.

@Sarah872

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: People like my book, starting halfway through This is kind of an alternate take on my other recent question, as well as the inverse problem to this question. I've been told by more than one

: Re: Do Science Fiction Stories Follow A Particular Pattern? I recently started writing a book expanding myself from my typical fantasy genre into SciFi. I have taken a start however I have reached

More posts by @Sarah872

: "the antagonists are all irredeemably evil" that causes me issues, people, real people, are never all of one thing. Part of showing that the protagonist is human is showing that those he opposes

: I would credit the actor but not their role if that's possible, credit them by name as part of an "and others" section for the parts with no lines. Or maybe disguise their role, instead

: Early investment in a character who "learns better" I'm looking for ways to build early reader investment in an unlikable character who "learns better," but not until fairly late in the book.

: People like my book, starting halfway through This is kind of an alternate take on my other recent question, as well as the inverse problem to this question. I've been told by more than one

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