: Since everyone is saying "no", let me say "yes". To some extent. Even as a young teenager, I never had trouble to put myself in the shoes of d'Artagnan, or Jean Valjean, or El Cid, or
Since everyone is saying "no", let me say "yes". To some extent.
Even as a young teenager, I never had trouble to put myself in the shoes of d'Artagnan, or Jean Valjean, or El Cid, or Lancelot, or Frodo. There is no reason whatsoever why any one particular story shouldn't be about only men, or exclusively some other specific demographic. And there's no reason why I shouldn't want to read those stories just because I don't belong to that particular demographic - On the contrary! @SaraCosta , @Liquid , @Rasdashan all say this, so I will not reiterate.
But let us look at the bigger picture. If all stories are about White, Christian men, what does it tell me - a Jewish woman? What do I learn when people who are like me, are exclusively cast as the antagonist, or the butt of a joke? Stories tell us about the world, and about our place in it. What then, do those stories, put together, tell me? They tell me that only white Christian guys can be awesome, only white Christian guys can have adventures, only white Christian guys can make a difference in the world.
You mention body image. When one blonde, blue-eyed, very thin princess finds her Prince Charming, I'm happy for her. When all women who find their Prince Charming are blonde, blue-eyed and very thin, there is an implication that dark-haired, dark-eyed slightly overweight girls don't find Prince Charmings.
Stories about women, black people, people who are neither black nor white, people of all shapes and sizes - those stories too should exist.
What you're seeing now, the push to include everyone everywhere, is a response to a system that's been out of balance for a long time. It might be that we're going too far in the opposite direction, but that's the way systems usually work, until things balance out.
What does it mean for your story? If it is about, for example, British soldiers in WW1, chances are they're going to be white men. And they are going to be quite fit. There are minorities you can touch on within that group - Irish, Scottish, lower class, upper class. No group is homogenous, and it is rather boring when stories are exclusively about what is perceived as the "average specimen".
If your story is about non-humans, they're not all the same either, right? Go ahead then, explore their issues. I'm sure they have some human emotions for us to relate to.
More posts by @Dunderdale623
: Facial expressions as part of dialogue - getting rid of a verbal tic I noticed a verbal tic in my writing: He looked surprised He looked confused He looked abashed Sometimes
: Is head-hopping always bad? The general consensus nowadays seems to be that being in the head of more than one character is bad. We should be "on the shoulders" or "in the head" of one character,
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