: How to limit 3rd Person Omniscient without losing depth to your other characters? My writing group lately has been harrowing me to stop using 3rd Person Omniscient perspective and use 3rd Person

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I would say your big problem is identified in the first paragraph. Yujin is the person who the narrator identifies in the paragraph but in the next sentence, you focus on the internal thoughts of Juko. If you absolutely have to insist on this form of writing, you should treat it like dialog... if the paragaph is about Juko, than Juko must be mentioned first. Turn Yujin's action into Juko noting Yujin's action.

Better yet, rotate the person you focus on between chapters. You don't need an order, just keep it in one character's perspective until it's time to give the next character's POV. For a good example, look at K.A. Applegate's Animorphs series, with a specific focus on the Megamorph titles. Appelegate wrote these books in 6 first person perspectives but kept each perspective distinct and seperate from the other and denoted the focus character in very distinct ways. Her main titles would rotate the narrator in order so that 4 characters got one book out of every five books, and 2 characters got one book out of ten (later was amended to a six books out of every six rotation. Initially the third book in a rotation of five was the book divided among the two.).

More to your help, The four Megamorph titles were jointly narrated by all six characters, though the narration was not ordered and changed as demanded. This change occurred every chapter, and the new narrator for that chapter would be given at the start of the chapter and the character art from the book cover/promotional art was also displayed.

For your purposes, make explicit that a character is the pov for a single chapter and who is the pov for the next chapter.

A final solution is to look at books like Harry Potter (because who hasn't read it by now.). In the books, the perspective is always on Harry and the emotions and depth of the other characters are presented with the Mantra of "Show don't Tell". If it's hard to pick out on reading, than try listening to the American Audio books, as the narrator (Jim Dale) creates a distinct voice for every character in the book (including one offs with one line of dialog). It's pretty obvious to a listener that the narrator voice and the voice of Harry are almost identical and thus, who's POV the story is in. After all, I'm reading HARRY POTTER, not Neville Longbottom and the Housemates who Left Me Paralyzed on the Common Room Floor until Professor McGonagal Saved My Not-Yet-Hot Ass whilst in Her Nightgown.

TL;DR: Ensure that the POV is consistent and only shifts at logical breaks: Paragraphs will be easiest to do, but re-writing to follow a "One POV, One Chapter" or "One POV, One Book" will help cut the confusion much better. Finally, in determining a POV in any break down, always focus on the one that is most important to the story. Yes, Ron and Hermione and... sigh Neville are important... but there is always one person who is in all the really dangerous situations.

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First answer: In broad terms, I think the ANSWER is to try to appreciate the strength of story if the POV character does not know what the other characters know. It opens up possibilities that aren't available in omniscient, like the PoV character (and the reader) needing to figure things out.
For example: If a character seems shifty one minute and genuine the next, and we don't know which of these is true because we aren't in omniscient perspective, and the POV character doesn't know either, that's interesting. It creates suspense.
Second answer: From a mechanical perspective, the ANSWER is: simply change each line so that it is only what the POV character knows. (a) Use words like 'seemed' if you want to inform the reader what another character is feeling, and (b) convert some thoughts to dialog.
Example: Yujin's POV:

YÅ«jin picked up his pace, moving even faster than before. (you can
add a reason here and gain depth, eg if they didn't make
the village by midday (bad thing would happen). (That is a motivation, and an internal feeling for Yujin.) Juko seemed irritated
by that, but the boy ought to be able to keep up; he had long enough
legs.
Sōan was straggling behind. "Hurry up," Yujin called.
"Slow down," she called back. "It's like you aren't human."
Was she huffing now? At least she was trying.
She said to herself, but loudly enough that he could hear, “C’mon Soan… We can’t
let… those boys… beat us… can we?”
Yujin shook his head, he had no time for her dawdling. The distance between
them increased.

Edit: Here is a blog post link that explains advantages of 3rd omniscient vs 3rd limited.

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