: Re: How best to have a conversation a character does not overhear? I have a scenario where my main character, who has considerable training and situational awareness has been captured. He has faith
You're already on the right track in that you recognize that you can't make your character bend to fit the more convenient plot.
When a character's natural decisions would take the story in a direction you don't want it to go, add external influences that change the choices they make
In your case, your character's natural reaction to this conversation is to listen to it in its entirety. Rather than trying to justify a deviation from that, instead add an external force which prevents the character from listening in as they naturally would.
Maybe there's a guard in the room who is fond of tazing your protagonist whenever they are distracted. Or the protagonist's allies are breaking in, and the protagonist needs to make noise to cover for their invasion. Or they're drugged up to the gills and can only focus for brief periods at a time.
Brainstorm for a while, and write down every ridiculous idea you come up with (and I do mean every idea). After 5-10 minutes, go over your list to see if anything you've written down is salvageable into an actual plot point.
More posts by @Sue2132873
: Is this attribution clear and sufficient? My characters are well read and some like to recite poetry. My MC is particularly fond of Paradise Lost and is known to quote a few lines here and
: Effectively conveying an unreliable narrator I have been working on a post-apocalyptic novel for about a year. My female narrator/protagonist, named Eris, was isolated for almost all of her life
Terms of Use Privacy policy Contact About Cancellation policy © selfpublishingguru.com2024 All Rights reserved.