: Re: How to keep romance out of my novel? (Kem uses they/them pronouns.) I'm outlining a story about a witch named Kem who has to protect the world from evil. Kem befriends demons and other witches,
In the rebooted Jughead comic (in the Archie Comic Universe), Jughead is explicitly Ace. He tries dating someone (they were in a burger costume), but realized, "nope, not me." I really love how direct that was, and I hate how so often ANY friendship in a story = twu wuv, and if people are colleagues AND protagonists, they end up together.
You may want to have them say "gah! Stop assuming everything is a wannabe relationship. Do y'all NOT work with people of your preferred gender? Aren't you statistically friends/colleagues with more people than significant others? Friends are friends, and friends are awesome." (but y'know, in your own character's way.)
(I'm someone who always thought most fictional love triangles should be handled by just dating ALL involved people, until you decide "yep, clear attraction/compatibility match this way, not that way" , or "no choice needed: poly works!" So I'm all for non-heteronormative focus, in whatever direction!)
More posts by @Murphy332
: Time skips are used all the time. The key to doing it well is wrapping up the previous scene. Your book (or a screenplay) is essentially a collection of scenes. Usually, early in a book
: Enigma Book with a money prize The idea is simple: we intend to publish a puzzle book that contains a difficult enigma. The first one to solve this enigma will win a prize (i.e., .000).
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