: Re: Should we avoid writing fiction about historical events without extensive research? I was thinking about writing about the Holocaust, but I am not sure if it's a good idea since I am not sure

I'm annoyed when an author gets the streets wrong in a city I know (Commonwealth Avenue is not in Cambridge) or elementary physics wrong (16 feet per second per second isn't the same as 16 feet per second.)

Real examples, but I've forgotten the titles of the novels.

Mischaracterizing the holocaust would be much more than annoying.

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: Quote with attribution, but without saying that I'm quoting I want to give credit to a source without stating their full title again, because the full title is a mouthful. Earlier in the paper,

@Vandalay250

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: As a new poet, where can I find help from a professional to judge my work? I often write short poems and quotes here: https://www.mirakee.com/atd, but I really want to hear from someone professional

@Vandalay250

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: Question about the basic elements of Mckee's view of writting Well, in the first pages of chapter 2 from [MCKEE.R. Story. itbooks. New York, 1997.] Mckee present to us some basic elements of

@Vandalay250

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: What to call a nameless character in a 3rd person narrative? How do I present a nameless character in a 3rd person narrative who has never known his parents? And has never had extended human

: Re: Should we avoid writing fiction about historical events without extensive research? I was thinking about writing about the Holocaust, but I am not sure if it's a good idea since I am not sure

More posts by @Vandalay250

: Quote with attribution, but without saying that I'm quoting I want to give credit to a source without stating their full title again, because the full title is a mouthful. Earlier in the paper,

: As a new poet, where can I find help from a professional to judge my work? I often write short poems and quotes here: https://www.mirakee.com/atd, but I really want to hear from someone professional

: Question about the basic elements of Mckee's view of writting Well, in the first pages of chapter 2 from [MCKEE.R. Story. itbooks. New York, 1997.] Mckee present to us some basic elements of

: What to call a nameless character in a 3rd person narrative? How do I present a nameless character in a 3rd person narrative who has never known his parents? And has never had extended human

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