: Re: Writing in a Christian voice I'm Jewish. My middle-grade fantasy novel is very Jewish. Most of my characters are either Jews or converts/future converts or people with at least one Jewish

What Pam is doing is called counseling. Today, there are several evangelical schools or traditions of counseling, and Pam might have taken courses or read books or attended conferences. Even if she didn't, her preacher (and elders, diacons, etc.) probably did, so it's part of her Christian culture.

A good starting point for an African American view:

Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction by Robert W. Kellemen and Karole A. Edwards

Other books you might be interested in:

Psychology and Christianity: Five Views by Eric L. Johnson (current schools of counseling, history and theory)
Counseling and Christianity: Five Approaches by Stephen P. Greggo (current schools of counseling, practice)
Soul Physicians: A Theology of Soul Care and Spiritual Direction by Robert W. Kellemen (theological wisdom)

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: Writing in a Christian voice I'm Jewish. My middle-grade fantasy novel is very Jewish. Most of my characters are either Jews or converts/future converts or people with at least one Jewish

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: You have three issues to solve: There are two different worlds. The sequential nature of each world's chapters (that there are not gaps where the other world's chapters are). The two timelines

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: Non-trope happy ending? This is in the idea stage, but I was wondering... In stories involving multiple protagonists (4 or more) that make and end relationships, date each other, etc. during

@Candy753

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: Re: Writing in a Christian voice I'm Jewish. My middle-grade fantasy novel is very Jewish. Most of my characters are either Jews or converts/future converts or people with at least one Jewish

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: Writing in a Christian voice I'm Jewish. My middle-grade fantasy novel is very Jewish. Most of my characters are either Jews or converts/future converts or people with at least one Jewish

: You have three issues to solve: There are two different worlds. The sequential nature of each world's chapters (that there are not gaps where the other world's chapters are). The two timelines

: Non-trope happy ending? This is in the idea stage, but I was wondering... In stories involving multiple protagonists (4 or more) that make and end relationships, date each other, etc. during

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